You can go shopping for fine art and handicrafts such as antique, semi-antique and modern furniture, all kinds of paintings, delicately crafted gold and silver jewelry, wood and stone carvings, masks, woven and dyed fabrics, etc. in many shops in the Kuta/Legian area, in Sanur, in various handicraft villages, the Sukawati market on the way to Ubud and in the town of Ubud.
In most of the shops you can and should bargain for the best price. Be especially careful with the vendors near popular tourist attractions such as Tanah Lot or, for instance, the rip-off artists in the Bali Aga village Tenganan who are well-known for selling fake "antique" fabrics (even spray-painted instead of woven cloth) for very high prices.
Popular buys in Bali are DVDs featuring even very recent movies. These are illegal copies but they sell for just 10,000 Rupiah per piece or 100,000 Rupiah for 11 and are available everywhere in Bali. Beach wear, T-shirts, pants and other clothing, shoes and leather goods, sea shells, trinkets, etc. are offered at low prices in numerous shops in Kuta and Legian as well as – much more expensive – in many hotels.
Well-known shopping centers are Geneva, Jalan Raya Kerobokan in Seminyak for very cheap handicrafts, Kuta Square with many shops and a branch of the Matahari Department Store and Supermarket offering everything a tourist could be interested in as well as Bali Galeria behind the DFS Komplex on the By-Pass where you find many different outlets including Vinoti, Prada, Body Shop, Planet Sport, a Periplus book shop, a branch of Marks & Spencer and many shops selling sports shoes, surf and party wear.
The huge, fully air-conditioned beachfront Kartika Discovery Mall in Jalan Kartika in Tuban next door to the Discovery Kartika Plaza Hotel and opposite the Waterbom Park was opened in 2004. It accommodates a large underground car park and the three storey mall with the Centro Department Store featuring famous international brands and designer labels including Esprit, Guess, Giordano, Polo, Prada, La Senza (for lingerie), cosmetics and fragrances from Bulgari, Gucci, Estée Lauder, Revlon, Clinique, Shiseido etc, surf shops such as Quicksilver, Billabong and Planet Surf, boutiques for ladies and gents fashions, several optical shops, Kids Station and Guess for Kids, Vinoti Living, specialist shops for beautiful watches and jewellry, a Sogo Department Store on street level, a Periplus bookshop, Boots Chemist, Starbucks, Bread Talk, KFC, Pizza Hut, Baskin & Robbins, Black Canyon Cafe and several other restaurants. Opening hours are from 10:00 a.m. to 11 p.m. daily.
There are a number of other shopping centers in Kuta, Tuban, Seminyak and Denpasar. The Nusa Dua Galleria has been reopened after renovations in December 2005 as Bali Collection and is dominated by the Sogo Department Store offering hundreds of international brands and designer labels; there are also several other shops and a small number of restaurants.
The newest shopping center is Carrefour at the Sunset Road which features the huge hypermarket of the French retailer on the top floor selling on over 8,000 sq.m. food, baked goods, prepared food, wine, diary products, fridges, TVs, luggage, clothing, furniture, computers etc. all in one place similar to a Wal-Mart in the US. The lower floors accommodate a variety of shops including a Periplus bookshop, an Apple-authorized reseller and many food outlets. Opening hours are daily from 9:30 a.m. to 10:00 p.m.
The attractive tableware you see in many restaurants, hotels, and the better homes in Bali is made locally by Jenggala Keramik Bali. Started by the New Zealand-born designer-potter Brent Hesselyn who disappeared while diving near Nusa Penida in late 2002, Jenggala has been producing for over 20 years hand-made high-quality ceramics which can be seen and ordered at their modern factory in Jimbaran, Jalan Uluwatu II. This new complex includes in addition to a show room an exhibition area for antique and new Indonesian art, a demonstration area where Jenggala's potters display their skills, and a branch of the popular "Kafe Batu Jimbar" serving light meals and a choice of coffee, tea and other beverages.
Avoid the DUTY FREE SHOPPERS outlets by all means! All local products are ridiculously expensive here.
For more suggestions what to see and do during your stay on the island of Bali, please visit also the following pages:
* The Most Popular Bali Tours
* Balinese Dances, Dramas
* Bali Museums & Art Exhibitions
* Popular Bali Activities
* Shopping in Bali
* Bali After Dark
Night life in Bali starts late, which means around midnight. Many visitors wonder where crowds of expats suddenly come from around 1:00 in the morning – even when all of Kuta has been very quiet during the whole evening, the IN-places often become crowded after midnight.
There's a simple explanation: during the early evenings many of Bali's night owls either still work, visit friends at home, or simply sleep. Most of them visit pubs, bars, or discos only in the early morning hours. Therefore, if you plan a night out don't start your dinner too early. Between 9:00 p.m. and midnight there are not many places we can recommend.
Visitors looking for company don't need to worry. Wherever you go in Sanur and the Kuta area, there are many other single travellers with the same problem around – day and night. In Bali's discos you'll meet also many "kupu kupu malams" ("night butterflies" or working girls) and young boys who compete with the females and service all sexes. All taxi drivers know the more popular karaoke bars and massage parlours in Kuta and Denpasar, and the various "Houses of ill Repute" in Sanur's narrow back lanes.
As reported in the BALI travel FORUM: "Prostitution is illegal in Bali. However, like in many countries, everyone turns a blind eye. Many girls can be found in nightclubs and bars in most areas. They look usually just like the girl next door, albeit with a bit more make up on, and they usually dress to please the eye. For the most part, they are gentle, easy to be with, and a lot of fun if you want to dance, drink and have a little fun with. Most will be yours for the whole night for about 300,000 Rupiah although prices range from 100,000 Rupiah to 1,000,000 Rupiah and more – depending on the season, the time of night, the situation and the quality of service".
SANUR & NUSA DUA
Some quite popular places in Sanur are the BORNEO PUB on Jalan Danau Tamblingan and the TROPHY PUB in front of the Sanur Beach Hotel. Both, however, close around 1:00 a.m.
The JAZZ GRILLE, located at the Komplek Pertokoan Sanur Raya No. 15/16 at the By-Pass opposite the Radisson hotel, was opened in February 1999 and attracts tourists and locals alike with live bands (from 9:30 to 12:00 p.m.), a smallish menu, and a billiard table upstairs. KAFE WAYANG in the same building has life music with a good local band and jam sessions with foreign guests every Friday – no wonder it's very popular with many residents. JANGER is currently the only disco in Sanur. Most tourists and even the expats living in Sanur prefer to go to "Kuta" if they look for some fun.
The discos and pubs in Nusa Dua's 5-star hotels are often rather empty. They are mostly frequented by those visitors who stay in-house and are too tired to make the 30 minutes drive to Kuta.
THE "KUTA" AREA
Everybody looking for some action and fun in the evening goes to "Kuta" which nowadays means the area extending about 4 miles or 7 kilometers North from the original village of Kuta and includes now Legian, Seminyak and even Basangkasa. Here are most of the better entertainment places offering EVERYTHING single male or female visitors as well as couples might be looking for.
There are several places such as CASABLANCA etc. – down-market open-air pubs and very noisy discos full of stoned Aussies courting Javanese "Kupu Kupu Malams". PEANUTS Discotheque on Jalan Raya Legian at the Jalan Melasti corner (about the border between Kuta and Legian) has been re-opened very soon after it was gutted by a fire. The huge (air-conditioned) dance floor is often crowded, guests are a mix of locals and younger foreign visitors.
Closer to the center of Kuta you find the BOUNTY SHIP with a noisy, over-air-conditioned disco in the basement and the re-built PADDY'S not far from the original PADDY'S. Much more "IN" nowadays is the newer M-BAR-GO which features really good music and a better crowd than most other places. SKY GARDEN is also on the main road and an interesting place to go. The bar is on the top floor, the three storeys below feature all different lounge areas. The menu is huge but the food is often disappointing. When most places close around 2.00 or 3.00 in the morning, night owls of all kinds continue drinking at nearby MAMA'S until sunrise.
For a somewhat more civilized evening out, you can have dinner and a couple of drinks at the bar at either TJ's or KORI in Kuta, at POCO LOCO in Legian, at the open street side bar at NERO Bali right opposite AROMAS Restaurant in Kuta, at the re-built MACCARONI CLUB in Kuta, at MADE'S WARUNG in Basangkasa (see BALI - Restaurants to Enjoy), or at the trendy HU'U Bar & Lounge near the Petitenget temple, LA LUCIOLA and THE LIVING ROOM.
One of the most trendy venues in Bali is KU DE TA right on the beach adjacent to the Oberoi hotel. This is the place to see and be seen, and from late afternoon on Fridays, Saturdays and Sundays there is a DJ providing rather noisy entertainment for Bali's beautiful people. Hot contender is SUNSET ON SIX (SOS) on the sixth floor rooftop terrace of the up-market ANANTARA RESORT — set right on the beach next door to GADO GADO and opened in May 2008. Both places are great to watch Bali's famous sunsets, but expect to pay for a cocktail around US$7 and more.
Something more outrageous and only for open-minded people is HULU CAFE in Garlic Lane between Jalan Padma and Jalan Melasti in Kuta/Legian, a place which calls itself the "only real gay bar in all of Bali" with drag shows starting at 11:00 p.m. three times per week. The performances are actually kind of funny!
You'll find a large and quite popular HARD ROCK CAFE right at the beginning of Kuta's beach road with live music from 11 p.m. to 2 a.m. Expect to find many singles of all kinds here looking for company. If you think this is too noisy, too crowded, or the air-conditioning too cold for you, try the CENTER STAGE at the HARD ROCK RESORT located in the back of the CAFE. As the name implies, the band performs on a raised stage in the middle of the huge round lobby bar until 11:00 p.m. Both HARD ROCK outlets are expensive by Bali standards.
The JAYA PUB on the main road in Seminyak features also live music and attracts many Indonesian customers who don't mind the chilling air-conditioning and the sometimes horrible bands and singers.
Seminyak's best place to have a drink and some fun at night are nowadays probably OBSESSION World Music Bar and SANTA FEE Bar & Grill, Jalan Abimanyu (also known as Gado Gado Road or Jalan Dhyana Pura). Life music, reasonably priced cocktails, a surprisingly good wine list (you have to ask for it, but the prices are very low for Bali standards), and a menu offering local, Mexican, and Japanese dishes as well as a choice of pizzas around the clock and the friendly service attract many visitors until the early hours. If you feel too hot downstairs, you can move to the small air-conditioned "Wine Lounge" upstairs where you find also a rather good choice of wines to take home.
Other popular night spots nearby in the same street are SPY BAR, LIQUID, Q BAR ("for the alternative lifestyle"), SPACE and THE GLOBE. New bars and "Chill-Out Lounges" are opening all the time, and most of them feature DJ's and/or live music on certain nights. Just walk down the road and check them out !
Later, from 2:00 a.m., it's party time at the SYNDICATE, BACIO and DOUBLE SIX, a large open-air disco with several bars, big dance floor, and many tables. All three are located next to each other on the beach in Seminyak and charge an entrance fee of 30,000 to 100,000 Rupiah (depending on the day) for which you get a voucher for a free drink. Here and in nearby DE JA VU you'll find most of Bali's night owls drinking and dancing the night away until 4:30 a.m. or so. (The legendary GADO GADO Disco has been re-converted into a restaurant.)
Also, watch out for notices and small posters in Kuta and Seminyak announcing special events such as Full Moon Parties, House Warming Parties, Body Painting Parties, etc, etc. If these "parties" are announced to the public (even if only by word-of-mouth), they are open for everybody. You'll have to pay for your drinks, therefore, don't be shy.
UBUD
Don't expect too much here. We are not Ubud nightlife experts, but names frequently mentioned include PUTRA BAR, Jl. Monkey Forest (every night live music ranging from Reggae to rock), MAGIC BAR, Jl. Monkey Forest (live music and sometimes great atmosphere), JAZZ CAFE, Jl. Tebesaya (live music and jam sessions on different nights), EXILE BAR (Saturday nights only, great music), and FUNKY MONKEY (early hours cafe).
Have fun!
* The Most Popular Bali Tours
* Balinese Dances, Dramas
* Bali Museums & Art Exhibitions
* Popular Bali Activities
* Shopping in Bali
* Bali After Dark
There's a simple explanation: during the early evenings many of Bali's night owls either still work, visit friends at home, or simply sleep. Most of them visit pubs, bars, or discos only in the early morning hours. Therefore, if you plan a night out don't start your dinner too early. Between 9:00 p.m. and midnight there are not many places we can recommend.
Visitors looking for company don't need to worry. Wherever you go in Sanur and the Kuta area, there are many other single travellers with the same problem around – day and night. In Bali's discos you'll meet also many "kupu kupu malams" ("night butterflies" or working girls) and young boys who compete with the females and service all sexes. All taxi drivers know the more popular karaoke bars and massage parlours in Kuta and Denpasar, and the various "Houses of ill Repute" in Sanur's narrow back lanes.
As reported in the BALI travel FORUM: "Prostitution is illegal in Bali. However, like in many countries, everyone turns a blind eye. Many girls can be found in nightclubs and bars in most areas. They look usually just like the girl next door, albeit with a bit more make up on, and they usually dress to please the eye. For the most part, they are gentle, easy to be with, and a lot of fun if you want to dance, drink and have a little fun with. Most will be yours for the whole night for about 300,000 Rupiah although prices range from 100,000 Rupiah to 1,000,000 Rupiah and more – depending on the season, the time of night, the situation and the quality of service".
SANUR & NUSA DUA
Some quite popular places in Sanur are the BORNEO PUB on Jalan Danau Tamblingan and the TROPHY PUB in front of the Sanur Beach Hotel. Both, however, close around 1:00 a.m.
The JAZZ GRILLE, located at the Komplek Pertokoan Sanur Raya No. 15/16 at the By-Pass opposite the Radisson hotel, was opened in February 1999 and attracts tourists and locals alike with live bands (from 9:30 to 12:00 p.m.), a smallish menu, and a billiard table upstairs. KAFE WAYANG in the same building has life music with a good local band and jam sessions with foreign guests every Friday – no wonder it's very popular with many residents. JANGER is currently the only disco in Sanur. Most tourists and even the expats living in Sanur prefer to go to "Kuta" if they look for some fun.
The discos and pubs in Nusa Dua's 5-star hotels are often rather empty. They are mostly frequented by those visitors who stay in-house and are too tired to make the 30 minutes drive to Kuta.
THE "KUTA" AREA
Everybody looking for some action and fun in the evening goes to "Kuta" which nowadays means the area extending about 4 miles or 7 kilometers North from the original village of Kuta and includes now Legian, Seminyak and even Basangkasa. Here are most of the better entertainment places offering EVERYTHING single male or female visitors as well as couples might be looking for.
There are several places such as CASABLANCA etc. – down-market open-air pubs and very noisy discos full of stoned Aussies courting Javanese "Kupu Kupu Malams". PEANUTS Discotheque on Jalan Raya Legian at the Jalan Melasti corner (about the border between Kuta and Legian) has been re-opened very soon after it was gutted by a fire. The huge (air-conditioned) dance floor is often crowded, guests are a mix of locals and younger foreign visitors.
Closer to the center of Kuta you find the BOUNTY SHIP with a noisy, over-air-conditioned disco in the basement and the re-built PADDY'S not far from the original PADDY'S. Much more "IN" nowadays is the newer M-BAR-GO which features really good music and a better crowd than most other places. SKY GARDEN is also on the main road and an interesting place to go. The bar is on the top floor, the three storeys below feature all different lounge areas. The menu is huge but the food is often disappointing. When most places close around 2.00 or 3.00 in the morning, night owls of all kinds continue drinking at nearby MAMA'S until sunrise.
For a somewhat more civilized evening out, you can have dinner and a couple of drinks at the bar at either TJ's or KORI in Kuta, at POCO LOCO in Legian, at the open street side bar at NERO Bali right opposite AROMAS Restaurant in Kuta, at the re-built MACCARONI CLUB in Kuta, at MADE'S WARUNG in Basangkasa (see BALI - Restaurants to Enjoy), or at the trendy HU'U Bar & Lounge near the Petitenget temple, LA LUCIOLA and THE LIVING ROOM.
One of the most trendy venues in Bali is KU DE TA right on the beach adjacent to the Oberoi hotel. This is the place to see and be seen, and from late afternoon on Fridays, Saturdays and Sundays there is a DJ providing rather noisy entertainment for Bali's beautiful people. Hot contender is SUNSET ON SIX (SOS) on the sixth floor rooftop terrace of the up-market ANANTARA RESORT — set right on the beach next door to GADO GADO and opened in May 2008. Both places are great to watch Bali's famous sunsets, but expect to pay for a cocktail around US$7 and more.
Something more outrageous and only for open-minded people is HULU CAFE in Garlic Lane between Jalan Padma and Jalan Melasti in Kuta/Legian, a place which calls itself the "only real gay bar in all of Bali" with drag shows starting at 11:00 p.m. three times per week. The performances are actually kind of funny!
You'll find a large and quite popular HARD ROCK CAFE right at the beginning of Kuta's beach road with live music from 11 p.m. to 2 a.m. Expect to find many singles of all kinds here looking for company. If you think this is too noisy, too crowded, or the air-conditioning too cold for you, try the CENTER STAGE at the HARD ROCK RESORT located in the back of the CAFE. As the name implies, the band performs on a raised stage in the middle of the huge round lobby bar until 11:00 p.m. Both HARD ROCK outlets are expensive by Bali standards.
The JAYA PUB on the main road in Seminyak features also live music and attracts many Indonesian customers who don't mind the chilling air-conditioning and the sometimes horrible bands and singers.
Seminyak's best place to have a drink and some fun at night are nowadays probably OBSESSION World Music Bar and SANTA FEE Bar & Grill, Jalan Abimanyu (also known as Gado Gado Road or Jalan Dhyana Pura). Life music, reasonably priced cocktails, a surprisingly good wine list (you have to ask for it, but the prices are very low for Bali standards), and a menu offering local, Mexican, and Japanese dishes as well as a choice of pizzas around the clock and the friendly service attract many visitors until the early hours. If you feel too hot downstairs, you can move to the small air-conditioned "Wine Lounge" upstairs where you find also a rather good choice of wines to take home.
Other popular night spots nearby in the same street are SPY BAR, LIQUID, Q BAR ("for the alternative lifestyle"), SPACE and THE GLOBE. New bars and "Chill-Out Lounges" are opening all the time, and most of them feature DJ's and/or live music on certain nights. Just walk down the road and check them out !
Later, from 2:00 a.m., it's party time at the SYNDICATE, BACIO and DOUBLE SIX, a large open-air disco with several bars, big dance floor, and many tables. All three are located next to each other on the beach in Seminyak and charge an entrance fee of 30,000 to 100,000 Rupiah (depending on the day) for which you get a voucher for a free drink. Here and in nearby DE JA VU you'll find most of Bali's night owls drinking and dancing the night away until 4:30 a.m. or so. (The legendary GADO GADO Disco has been re-converted into a restaurant.)
Also, watch out for notices and small posters in Kuta and Seminyak announcing special events such as Full Moon Parties, House Warming Parties, Body Painting Parties, etc, etc. If these "parties" are announced to the public (even if only by word-of-mouth), they are open for everybody. You'll have to pay for your drinks, therefore, don't be shy.
UBUD
Don't expect too much here. We are not Ubud nightlife experts, but names frequently mentioned include PUTRA BAR, Jl. Monkey Forest (every night live music ranging from Reggae to rock), MAGIC BAR, Jl. Monkey Forest (live music and sometimes great atmosphere), JAZZ CAFE, Jl. Tebesaya (live music and jam sessions on different nights), EXILE BAR (Saturday nights only, great music), and FUNKY MONKEY (early hours cafe).
Have fun!
* The Most Popular Bali Tours
* Balinese Dances, Dramas
* Bali Museums & Art Exhibitions
* Popular Bali Activities
* Shopping in Bali
* Bali After Dark
Bali's natural attractions include miles of sandy beaches (many are well-known amongst surfers), picturesque rice terraces, towering active volcanoes over 3,000 meters (10,000 ft.) high, fast flowing rivers, deep ravines, pristine crater lakes, sacred caves, and lush tropical forests full of exotic wildlife.
The island's rich cultural heritage is visible everywhere - in over 20,000 temples and palaces, in many colorful festivals and ceremonies (including tooth filings and cremations), in drama, music, and dance.
You can experience Bali on many different excursions and guided tours by coach, private car or "Big Bike", by boat or by air plane: seeing Bali's beaches and rice terraces, the famous Besakih Temple on the slopes of holy Mount Agung, Lake Batur and it's active volcano, Ubud, Legian, Kuta, Nusa Dua, and the temples of Tanah Lot and Ulu Watu from a helicopter is a really special experience. For helicopter tours and private charters (3 to 6 passengers) please contact the Balivillas.com Service Center at 703-060 as soon as you arrive.
Most full day tours by car (about 8 to 10 hours, min 2 persons) cost about US$45 to US$50 per person, half day tours US$30 to US$35. These prices include a multi-lingual guide and transport in an air-conditioned private car, all entrance fees, but no meals. Which guide and driver you choose can make or break your day: be warned that those who offer very low prices tend to waste your time by showing you hardly any more than those shops which pay them a commission on your purchases.
For suggestions what to see and do during your stay on the island of Bali, please visit the following pages:
* The Most Popular Bali Tours
* Balinese Dances, Dramas
* Bali Museums & Art Exhibitions
* Popular Bali Activities
* Shopping in Bali
* Bali After Dark
The island's rich cultural heritage is visible everywhere - in over 20,000 temples and palaces, in many colorful festivals and ceremonies (including tooth filings and cremations), in drama, music, and dance.
You can experience Bali on many different excursions and guided tours by coach, private car or "Big Bike", by boat or by air plane: seeing Bali's beaches and rice terraces, the famous Besakih Temple on the slopes of holy Mount Agung, Lake Batur and it's active volcano, Ubud, Legian, Kuta, Nusa Dua, and the temples of Tanah Lot and Ulu Watu from a helicopter is a really special experience. For helicopter tours and private charters (3 to 6 passengers) please contact the Balivillas.com Service Center at 703-060 as soon as you arrive.
Most full day tours by car (about 8 to 10 hours, min 2 persons) cost about US$45 to US$50 per person, half day tours US$30 to US$35. These prices include a multi-lingual guide and transport in an air-conditioned private car, all entrance fees, but no meals. Which guide and driver you choose can make or break your day: be warned that those who offer very low prices tend to waste your time by showing you hardly any more than those shops which pay them a commission on your purchases.
For suggestions what to see and do during your stay on the island of Bali, please visit the following pages:
* The Most Popular Bali Tours
* Balinese Dances, Dramas
* Bali Museums & Art Exhibitions
* Popular Bali Activities
* Shopping in Bali
* Bali After Dark
* Water Sports: Swimming, snorkeling, banana boat rides, water ski, parasailing, etc. are arranged by most hotels and at the Beluga Marina in Tanjung Benoa. There are also small sail boats, catamarans, and boards for wind surfing for rent along Jimbaran Beach.
The most challenging of Bali's famous surfing spots are near Ulu Watu (only for experts in top physical condition who are comfortable surfing over coral reefs on large, powerful waves that break in shallow water) and along Bali's West coast North of Canggu; the best time is during the dry season from June to September. For details on the various locations please visit the Baliwaves web site or check Peter Neely's "Indo Surf & Lingo" guide book.
You can also buy a day-guest ticket (telephone before as prices vary from US$45 to US$55 per person and seem to depend on their occupancy!) and enjoy all sports facilities at Nusa Dua's CLUB MED until 17:00 in the afternoon. They offer sea kayakking, wind surfing, snorkeling, and many other sports activities such as water aerobics, archery, tennis, and ping pong tournaments, beach volleyball, bocci ball lessons, and a circus school for adults. The day-guest ticket includes a lunch buffet with a choice of Western, Indonesian, Chinese, Japanese and Korean dishes and unlimited table wine, beer and soft drinks.
A large free-form swimming pool with a life band playing during the afternoon on the center island is the main attraction of the new HARD ROCK BEACH CLUB in Kuta. There is a pool-side restaurant for various snacks, a pool bar serving exotic drinks, and you can even rent your private pool-side "Cabana" if you wish to draw the curtains for some privacy. Pool use is 100,000 Rupiah per day for non-resident guests, and for the "Cabana" they charge 140,000 Rupiah per day.
Spending an afternoon in the Aquatonic Pool at the new RITZ-CARLTON THALASSO & SPA is an experience not to be missed! The roofed 650 sq. meter (7,000 sq.ft.) pool contains 700 million liters (153 million gallons) of heated seawater. With a maximum depth of 1.3 meters (4 ft.) the pool includes different zones at variable temperatures with numerous strong jets providing aquatic massages to improve blood circulation, tone up the muscles and provide relaxation. There is a cross current walking corridor, cross current swimming corridor, cubicles for leg, tight and stomach massage, aqua seats and cubicles for back massage, swan necks for neck and shoulder massage, several jet pools, bubble bath areas, geysers and aqua beds providing a relaxing bubble massage and a panoramic Indian Ocean view. One-time access to the Aquatonic Pool for two hours is US$35 +20% tax & service per person (minors below 16 years are not allowed). Not cheap but well worth it!
* Spa & Beauty Treatments: A wide range of treatments is offered in the RITZ CARLON SPA adjacent to the Aquatonic Pool for US$50 to US$80 +21% per hour. Other famous spas in the upper price category are at the NUSA DUA BEACH RESORT, at THE LEGIAN in Seminyak, and the KIRANA in Ubud features a spectacular setting. Numerous other spas in all tourist areas offer treatments at lower prices, and when you stay at many of Balivillas.com's villas you enjoy free massages and spa treatments including the famous Mandi Lulur at substantially reduced rates. For bookings and more information call 703-060.
* Scuba Diving in Bali: A number of PADI certified companies offer diving tours (no spear fishing in Bali) with experienced guides and equipment from one day to several days. The best Bali diving sites (some with ship wrecks) are along Bali's East cost near Candi Dasa, Amed and Tulamben and near Nusa Penida. The area around Menjangan Island near Gilimanuk (ferry to Java) is regarded by many experts as over-rated, and do not try diving near Nusa Dua and around the Southern peninsula — it's a waste of time and money. About US$60 to US$90 (depending on the destination) per person for one-day tours; US$350-US$400 plus extra costs or US$450 including everything for four day courses including your PADI certificate. For bookings and diving information call 703-060.
* Game Fishing: A number of companies offer yachts and fishing boats with guides for charter. The catch includes Tuna, Wahoo, Mai-Mai, Mackerel, or Marlin - and Snapper, Cod and Coral Trout to be caught reef fishing should you so desire. From US$40 per hour for a small boat, US$500 per day (US$250 half-day) for a 30-foot catamaran with satellite navigation, top-of-the range fish finder and sonar as well as Brownie diving equipment, and US$660 per day for a state-of-the-art BLACK WATCH game fishing vessel with experienced crew, full insurance, and all electronics and safety gear. For bookings and charter information call 703-060.
* Day Cruises: There are daily cruises to nearby Nusa Penida and Nusa Lembongan islands off the South-East coast of Bali. Guests spend the day either at one of the cruise companies' beach clubs (with restaurant, swimming pool, water sports equipment) or on a floating pontoon, and you can go snorkeling, scuba diving, take Banana Boat rides, or view the underwater world from a semi-submersible vessel. You can choose between modern, air-conditioned motor cruisers accommodating 100 and more guests and a number of smaller sailing boats. For the more adventurous there is now also a 12-meter inflatable Ocean Raft carrying up to 24 passengers. Departure is usually around 9.00 a.m., and you return in the afternoon. About US$65 to US$85 per person including lunch, children from 5 to 14 years 50%. For bookings and information call 703-060.
* Dinner Cruises: Some of the boats which leave in the morning for the regular Island Cruises offer also a Dinner Cruise starting around 17:45 p.m. After cruising around the Benoa harbour, an international buffet dinner and some entertainment by folk singers and live bands you return around 20:45 p.m. to the pier. US$40 per person, children up to 16 years 50%. For bookings and information call 703-060.
* Island Cruises: There are a number of cruises from Bali through the Lesser Sunda Islands, to Sulawesi, and the Moluccas. You can choose from modern cruise liners, luxurious private yachts, and traditional Buginese schooners, and either join a scheduled cruise from 3 days to 12 or 15 days, or even charter your own yacht or schooner with 2 to 16 cabins, experienced crew, and a Western tour guide. Please look at the different cruises and yacht charter options available or call 703-060 for information.
* Submarine Safari: You can book a tour which brings you about 70 feet below the sea of Amuk Bay, Padangbai. The small submarine can carry about 36 guests, and large port holes allow you to view and photograph underwater reefs and corals, many marine creatures, and a large variety of fish including sharks. The Odyssey Submarine offers you 45 minutes dive with 1.5 hour free program. Rate is US$69 per person. For bookings and charter information call 703-060.
* Playing Golf in Bali: The "Bali Handara Kosaido Country Club" near Bedugul in the mountains is probably Bali's most attractive golf course. There is also a 18-hole course at the "Bali Golf & Country Club" in Nusa Dua near the Bali Hilton, a 9-hole course at the Grand Bali Beach Hotel in Sanur, and the new "Nirwana Bali Golf Club" with a 18-hole course near Tanah Lot. If you are interested in playing golf in Bali, please call 703-060 for bookings and information.
* Tennis & Squash: There are Clark Hatch Sports Clubs at the Sheraton Laguna and Nusa Indah Resort, Kartika Plaza Hotel, and Nikko Hotel each of which has several outdoor tennis courts, indoor squash courts, and complete fitness facilities. Playing partners as well as lessons are available. Most other 5-star hotels have at least some tennis courts which can also be booked by outside guests. For bookings and information call 703-060.
* Paragliding: Located on the Bukit (the hill South of the airport), a well-trained instructor accompanies you on a 20 minute tandem flight over the most spectacular strip of Bali's coastline. For bookings and information call 703-060. Note: Available only in the afternoon, confirmation can be made one hour prior to the activity.
* White Water Rafting: Several companies offer exciting white water rafting tours (grade 2 to grade 4 rapids) on the Ayung river North-West of Ubud and — during certain times of the year — also on the Unda river North of Klungkung. You pass waterfalls and volcanic cliffs, deep sided gorges, tranquil rice terraces and remote villages. From morning to afternoon, US$56-US$85 per person including transfers from and to your hotel and lunch. For bookings and information call 703-060.
* Other Organized Adventures: Lake and Sea Kayakking, Jungle Trekking, and Mountain Cycling are arranged by the companies listed above. For bookings and information call 703-060.
* Bungy Jumping: A. J. Hackett in adjacent to Double Six, Legian, is the island's only beach bungy tower with a lift. US$62. With the "Sling Shot" at the "Adrenalin Park" in Kuta you can get shot 52 metres into the air in just over one second, and they have an overhanging climbing wall, too. For bookings and information call 703-060.
* Horseback Riding: Experience Bali on horse back, ride through rice fields and along deserted beaches. Tours can be organized mornings and afternoons. For bookings and information call 703-060.
* Paintball War Games: The newly operated "Paintball Bali" is located on Jimbaran Hill and occupies about 3 hectares of exciting playing fields. Facilities include a large parking area, lobby with audio-video facilities, individual changing rooms and lockers as well as a staging area. For bookings and information call 703-060.
* Nature Tours: Visit the Bali Barat National Park in the West of the island, the Butterfly Park "Taman Kupu Kupu" in Wanasari, Tabanan, or the Botanical Gardens in Bedugul. Guided bird watching tours are offered starting from Ubud (in the village of Petulu a few miles north of Ubud you can also watch between 5:30 and 7:00 p.m. every day the arrival of thousands of white herons who are nesting here), and you can visit the bull races in Negara. If you stay near Lovina in the North, get up early one morning and hire a boat to watch hundreds of dolphins. For bookings and information call 703-060.
* The Botanical Garden, Ubud: This covers an area of five hectares and accommodates a natural ravine. There are an Orchid Garden, a vast collection of ferns, palms, bamboos and tropical trees, as well as Bali's first maze. For bookings and information call 703-060.
* Bali Safari and Marine Park: This newly opened safari park is set in 40 hectares of land and located near Gianyar; there are safari vehicles to cruise the park and interact with 400 animals from Asia including Indonesia, India, and Africa. Introductory entrance fee is US$25 per person. For bookings and information call 703-060.
* Bali Zoo: "Nature's Education Center" is home of more than 350 animals and located in Singapadu near Ubud. Daily programs include animal feeding (lions, crocodiles, tigers etc.) as well as animal petting e.g. you can touch and hold various birds and baby monkeys. Entrance fee is US$18 per adult. For bookings and information call 703-060.
* Harley Davidson Rental: For real bikers who want to explore Bali in a different way, Harley Davidson bikes are available for rent. Various families of Sportster (883cc), Dyna Low Rider (1,450cc), Fat Boy (1,450cc) or Heritage Softail Classic (1,450cc) are available at US$70 to US$150 per day. Additional US$30 if you need a guide for tandem riding. For bookings and information call 703-060.
* ATV Quad & Buggy Tour: An adventurous journey off-the-beaten track on 250-350cc ATV's through lush forests and mountain streams to enjoy some of the best views of Bali's rice terraces. Rates start at US$69 per person. For bookings and information call 703-060.
* Paint A Pot: Jenggala is pleased to offer handpainting of ceramics – raw glazed of ceramics range from US$5 to US$21 each. A course in ceramic hand building is also available. This includes slabwork, pinch and coil techoniques, drop moulds and handthrowing. Rate starts from US$10 (2hrs per session - course completed within 1 week.) For bookings and information call 703-060.
* Not Only for Children: Take a stroll through Denpasar's bird market near the northern end of Jalan Veteran where you see not only a large variety of tropical birds but also tropical fish, cats and dogs, monkeys etc. You can visit the Taman Burung bird park with 1,000 different species of birds (and even a small Komodo dragon in the adjacent Reptile Park) in Singapadu about 20 minutes north of Denpasar, the Waterbom Park with four slides and a flowing river in tropical surroundings in Tuban, or enjoy jungle treks on top of Sumatran elephants starting from the Elephant Safari Park in Taro, a village about 50 kilometers north of Denpasar. Camel rides on the beach are offered at the Hotel Nikko Bali in Nusa Dua.
* Balinese Dance & Music Classes: The YAYASAN POLOS SENI (Foundation for Pure Art) in Banjar Teges Kanginan, Peliatan, Ubud, e-mail polos@goarchi.com, offers Balinese dance and music classes for students who wish to become fully involved with the dance & music culture of Bali. Enrolling in one of these classes (one-to-one tuition and participation in group rehearsals and performances) means becoming a member of the family of students and teachers and an in-depth experience of the world of performers and performances in the Ubud area. There are also 2-week courses to learn playing the Gamelan at the MUSEUM SENI KLASSIK in Klungkung (e-mail anggie@gggamelan.com) which are open for all levels of experience. Beginners as well as "non-musicians" are welcome.
* Meditation Classes: Free Raya Yoga Meditation classes and regular sessions in Ubud and Denpasar, tel. 976-206. There are also free lessons every Monday 19.00 at the Denpasar Meditation Shop, tel. 237-260. Information on daily meetings, classes, books, tapes and videos from Bali Osho Information Centre, telephone 423-595.
* Balinese Cooking Classes: Discover the secrets of Balinese cuisine by joining one of the 1-Day Cooking Classes held by Heinz von Holzen, the author of the book "The Food Of Bali" and former food guru of the Grand Hyatt and Ritz Carlton hotels in Bali. You can visit Heinz in his beautiful BUMBU BALI restaurant in Tanjung Benoa next to Nusa Dua and enjoy their fabulous dishes at any time. If you wish to enrol in one of his popular classes, you better book in advance.
Balinese cooking classes are also held in Ubud at the BUMBU Restaurant (tel. 974-217), at CASA LUNA (tel. 96-283), and at the nearby Sua Bali Culture and Information Centre (tel. 941-050).
* Culinary Events: Aimed more at the local community than at tourists are the "Wine & Cigars" and other special dinners at the AMANUSA and RITZ CARLTON as well as the BVLGARI Resort (900,000 Rupiah to 2,800,000 Rupiah per person).
The monthly lunch meetings of the "Bali Wine Club" and the "Chaîne des Rôtisseurs" Black-Tie dinners are for members and their guests only. If you've booked a villa through Balivillas.com and are seriously interested in good food and wine, please call their Service Center at 703-060 to arrange your attendance.
* Hash House Harriers: There are three groups of Hash House Harriers holding regular runs on every Monday, Thursday and Saturday at 4.30 p.m. You can find up-to-date information at the GLORY restaurant in Legian, LIPS Country & Western Bar and BALI BAKERY in Kuta, ALAS ARUM supermarket, ARRI'S CAFE and ARENA Sports Bar in Sanur, and at NAUGHTY NURI'S bar in Ubud. For more details please visit their web site.
* Social Clubs: Rotarians, Lions, Scal Club members, etc. hold regular meetings in various parts of Bali. Schedules are published in the local newspapers.
For more suggestions what to see and do during your stay on the island of Bali, please visit also the following pages:
* The Most Popular Bali Tours
* Balinese Dances, Dramas
* Bali Museums & Art Exhibitions
* Popular Bali Activities
* Shopping in Bali
* Bali After Dark
The most challenging of Bali's famous surfing spots are near Ulu Watu (only for experts in top physical condition who are comfortable surfing over coral reefs on large, powerful waves that break in shallow water) and along Bali's West coast North of Canggu; the best time is during the dry season from June to September. For details on the various locations please visit the Baliwaves web site or check Peter Neely's "Indo Surf & Lingo" guide book.
You can also buy a day-guest ticket (telephone before as prices vary from US$45 to US$55 per person and seem to depend on their occupancy!) and enjoy all sports facilities at Nusa Dua's CLUB MED until 17:00 in the afternoon. They offer sea kayakking, wind surfing, snorkeling, and many other sports activities such as water aerobics, archery, tennis, and ping pong tournaments, beach volleyball, bocci ball lessons, and a circus school for adults. The day-guest ticket includes a lunch buffet with a choice of Western, Indonesian, Chinese, Japanese and Korean dishes and unlimited table wine, beer and soft drinks.
A large free-form swimming pool with a life band playing during the afternoon on the center island is the main attraction of the new HARD ROCK BEACH CLUB in Kuta. There is a pool-side restaurant for various snacks, a pool bar serving exotic drinks, and you can even rent your private pool-side "Cabana" if you wish to draw the curtains for some privacy. Pool use is 100,000 Rupiah per day for non-resident guests, and for the "Cabana" they charge 140,000 Rupiah per day.
Spending an afternoon in the Aquatonic Pool at the new RITZ-CARLTON THALASSO & SPA is an experience not to be missed! The roofed 650 sq. meter (7,000 sq.ft.) pool contains 700 million liters (153 million gallons) of heated seawater. With a maximum depth of 1.3 meters (4 ft.) the pool includes different zones at variable temperatures with numerous strong jets providing aquatic massages to improve blood circulation, tone up the muscles and provide relaxation. There is a cross current walking corridor, cross current swimming corridor, cubicles for leg, tight and stomach massage, aqua seats and cubicles for back massage, swan necks for neck and shoulder massage, several jet pools, bubble bath areas, geysers and aqua beds providing a relaxing bubble massage and a panoramic Indian Ocean view. One-time access to the Aquatonic Pool for two hours is US$35 +20% tax & service per person (minors below 16 years are not allowed). Not cheap but well worth it!
* Spa & Beauty Treatments: A wide range of treatments is offered in the RITZ CARLON SPA adjacent to the Aquatonic Pool for US$50 to US$80 +21% per hour. Other famous spas in the upper price category are at the NUSA DUA BEACH RESORT, at THE LEGIAN in Seminyak, and the KIRANA in Ubud features a spectacular setting. Numerous other spas in all tourist areas offer treatments at lower prices, and when you stay at many of Balivillas.com's villas you enjoy free massages and spa treatments including the famous Mandi Lulur at substantially reduced rates. For bookings and more information call 703-060.
* Scuba Diving in Bali: A number of PADI certified companies offer diving tours (no spear fishing in Bali) with experienced guides and equipment from one day to several days. The best Bali diving sites (some with ship wrecks) are along Bali's East cost near Candi Dasa, Amed and Tulamben and near Nusa Penida. The area around Menjangan Island near Gilimanuk (ferry to Java) is regarded by many experts as over-rated, and do not try diving near Nusa Dua and around the Southern peninsula — it's a waste of time and money. About US$60 to US$90 (depending on the destination) per person for one-day tours; US$350-US$400 plus extra costs or US$450 including everything for four day courses including your PADI certificate. For bookings and diving information call 703-060.
* Game Fishing: A number of companies offer yachts and fishing boats with guides for charter. The catch includes Tuna, Wahoo, Mai-Mai, Mackerel, or Marlin - and Snapper, Cod and Coral Trout to be caught reef fishing should you so desire. From US$40 per hour for a small boat, US$500 per day (US$250 half-day) for a 30-foot catamaran with satellite navigation, top-of-the range fish finder and sonar as well as Brownie diving equipment, and US$660 per day for a state-of-the-art BLACK WATCH game fishing vessel with experienced crew, full insurance, and all electronics and safety gear. For bookings and charter information call 703-060.
* Day Cruises: There are daily cruises to nearby Nusa Penida and Nusa Lembongan islands off the South-East coast of Bali. Guests spend the day either at one of the cruise companies' beach clubs (with restaurant, swimming pool, water sports equipment) or on a floating pontoon, and you can go snorkeling, scuba diving, take Banana Boat rides, or view the underwater world from a semi-submersible vessel. You can choose between modern, air-conditioned motor cruisers accommodating 100 and more guests and a number of smaller sailing boats. For the more adventurous there is now also a 12-meter inflatable Ocean Raft carrying up to 24 passengers. Departure is usually around 9.00 a.m., and you return in the afternoon. About US$65 to US$85 per person including lunch, children from 5 to 14 years 50%. For bookings and information call 703-060.
* Dinner Cruises: Some of the boats which leave in the morning for the regular Island Cruises offer also a Dinner Cruise starting around 17:45 p.m. After cruising around the Benoa harbour, an international buffet dinner and some entertainment by folk singers and live bands you return around 20:45 p.m. to the pier. US$40 per person, children up to 16 years 50%. For bookings and information call 703-060.
* Island Cruises: There are a number of cruises from Bali through the Lesser Sunda Islands, to Sulawesi, and the Moluccas. You can choose from modern cruise liners, luxurious private yachts, and traditional Buginese schooners, and either join a scheduled cruise from 3 days to 12 or 15 days, or even charter your own yacht or schooner with 2 to 16 cabins, experienced crew, and a Western tour guide. Please look at the different cruises and yacht charter options available or call 703-060 for information.
* Submarine Safari: You can book a tour which brings you about 70 feet below the sea of Amuk Bay, Padangbai. The small submarine can carry about 36 guests, and large port holes allow you to view and photograph underwater reefs and corals, many marine creatures, and a large variety of fish including sharks. The Odyssey Submarine offers you 45 minutes dive with 1.5 hour free program. Rate is US$69 per person. For bookings and charter information call 703-060.
* Playing Golf in Bali: The "Bali Handara Kosaido Country Club" near Bedugul in the mountains is probably Bali's most attractive golf course. There is also a 18-hole course at the "Bali Golf & Country Club" in Nusa Dua near the Bali Hilton, a 9-hole course at the Grand Bali Beach Hotel in Sanur, and the new "Nirwana Bali Golf Club" with a 18-hole course near Tanah Lot. If you are interested in playing golf in Bali, please call 703-060 for bookings and information.
* Tennis & Squash: There are Clark Hatch Sports Clubs at the Sheraton Laguna and Nusa Indah Resort, Kartika Plaza Hotel, and Nikko Hotel each of which has several outdoor tennis courts, indoor squash courts, and complete fitness facilities. Playing partners as well as lessons are available. Most other 5-star hotels have at least some tennis courts which can also be booked by outside guests. For bookings and information call 703-060.
* Paragliding: Located on the Bukit (the hill South of the airport), a well-trained instructor accompanies you on a 20 minute tandem flight over the most spectacular strip of Bali's coastline. For bookings and information call 703-060. Note: Available only in the afternoon, confirmation can be made one hour prior to the activity.
* White Water Rafting: Several companies offer exciting white water rafting tours (grade 2 to grade 4 rapids) on the Ayung river North-West of Ubud and — during certain times of the year — also on the Unda river North of Klungkung. You pass waterfalls and volcanic cliffs, deep sided gorges, tranquil rice terraces and remote villages. From morning to afternoon, US$56-US$85 per person including transfers from and to your hotel and lunch. For bookings and information call 703-060.
* Other Organized Adventures: Lake and Sea Kayakking, Jungle Trekking, and Mountain Cycling are arranged by the companies listed above. For bookings and information call 703-060.
* Bungy Jumping: A. J. Hackett in adjacent to Double Six, Legian, is the island's only beach bungy tower with a lift. US$62. With the "Sling Shot" at the "Adrenalin Park" in Kuta you can get shot 52 metres into the air in just over one second, and they have an overhanging climbing wall, too. For bookings and information call 703-060.
* Horseback Riding: Experience Bali on horse back, ride through rice fields and along deserted beaches. Tours can be organized mornings and afternoons. For bookings and information call 703-060.
* Paintball War Games: The newly operated "Paintball Bali" is located on Jimbaran Hill and occupies about 3 hectares of exciting playing fields. Facilities include a large parking area, lobby with audio-video facilities, individual changing rooms and lockers as well as a staging area. For bookings and information call 703-060.
* Nature Tours: Visit the Bali Barat National Park in the West of the island, the Butterfly Park "Taman Kupu Kupu" in Wanasari, Tabanan, or the Botanical Gardens in Bedugul. Guided bird watching tours are offered starting from Ubud (in the village of Petulu a few miles north of Ubud you can also watch between 5:30 and 7:00 p.m. every day the arrival of thousands of white herons who are nesting here), and you can visit the bull races in Negara. If you stay near Lovina in the North, get up early one morning and hire a boat to watch hundreds of dolphins. For bookings and information call 703-060.
* The Botanical Garden, Ubud: This covers an area of five hectares and accommodates a natural ravine. There are an Orchid Garden, a vast collection of ferns, palms, bamboos and tropical trees, as well as Bali's first maze. For bookings and information call 703-060.
* Bali Safari and Marine Park: This newly opened safari park is set in 40 hectares of land and located near Gianyar; there are safari vehicles to cruise the park and interact with 400 animals from Asia including Indonesia, India, and Africa. Introductory entrance fee is US$25 per person. For bookings and information call 703-060.
* Bali Zoo: "Nature's Education Center" is home of more than 350 animals and located in Singapadu near Ubud. Daily programs include animal feeding (lions, crocodiles, tigers etc.) as well as animal petting e.g. you can touch and hold various birds and baby monkeys. Entrance fee is US$18 per adult. For bookings and information call 703-060.
* Harley Davidson Rental: For real bikers who want to explore Bali in a different way, Harley Davidson bikes are available for rent. Various families of Sportster (883cc), Dyna Low Rider (1,450cc), Fat Boy (1,450cc) or Heritage Softail Classic (1,450cc) are available at US$70 to US$150 per day. Additional US$30 if you need a guide for tandem riding. For bookings and information call 703-060.
* ATV Quad & Buggy Tour: An adventurous journey off-the-beaten track on 250-350cc ATV's through lush forests and mountain streams to enjoy some of the best views of Bali's rice terraces. Rates start at US$69 per person. For bookings and information call 703-060.
* Paint A Pot: Jenggala is pleased to offer handpainting of ceramics – raw glazed of ceramics range from US$5 to US$21 each. A course in ceramic hand building is also available. This includes slabwork, pinch and coil techoniques, drop moulds and handthrowing. Rate starts from US$10 (2hrs per session - course completed within 1 week.) For bookings and information call 703-060.
* Not Only for Children: Take a stroll through Denpasar's bird market near the northern end of Jalan Veteran where you see not only a large variety of tropical birds but also tropical fish, cats and dogs, monkeys etc. You can visit the Taman Burung bird park with 1,000 different species of birds (and even a small Komodo dragon in the adjacent Reptile Park) in Singapadu about 20 minutes north of Denpasar, the Waterbom Park with four slides and a flowing river in tropical surroundings in Tuban, or enjoy jungle treks on top of Sumatran elephants starting from the Elephant Safari Park in Taro, a village about 50 kilometers north of Denpasar. Camel rides on the beach are offered at the Hotel Nikko Bali in Nusa Dua.
* Balinese Dance & Music Classes: The YAYASAN POLOS SENI (Foundation for Pure Art) in Banjar Teges Kanginan, Peliatan, Ubud, e-mail polos@goarchi.com, offers Balinese dance and music classes for students who wish to become fully involved with the dance & music culture of Bali. Enrolling in one of these classes (one-to-one tuition and participation in group rehearsals and performances) means becoming a member of the family of students and teachers and an in-depth experience of the world of performers and performances in the Ubud area. There are also 2-week courses to learn playing the Gamelan at the MUSEUM SENI KLASSIK in Klungkung (e-mail anggie@gggamelan.com) which are open for all levels of experience. Beginners as well as "non-musicians" are welcome.
* Meditation Classes: Free Raya Yoga Meditation classes and regular sessions in Ubud and Denpasar, tel. 976-206. There are also free lessons every Monday 19.00 at the Denpasar Meditation Shop, tel. 237-260. Information on daily meetings, classes, books, tapes and videos from Bali Osho Information Centre, telephone 423-595.
* Balinese Cooking Classes: Discover the secrets of Balinese cuisine by joining one of the 1-Day Cooking Classes held by Heinz von Holzen, the author of the book "The Food Of Bali" and former food guru of the Grand Hyatt and Ritz Carlton hotels in Bali. You can visit Heinz in his beautiful BUMBU BALI restaurant in Tanjung Benoa next to Nusa Dua and enjoy their fabulous dishes at any time. If you wish to enrol in one of his popular classes, you better book in advance.
Balinese cooking classes are also held in Ubud at the BUMBU Restaurant (tel. 974-217), at CASA LUNA (tel. 96-283), and at the nearby Sua Bali Culture and Information Centre (tel. 941-050).
* Culinary Events: Aimed more at the local community than at tourists are the "Wine & Cigars" and other special dinners at the AMANUSA and RITZ CARLTON as well as the BVLGARI Resort (900,000 Rupiah to 2,800,000 Rupiah per person).
The monthly lunch meetings of the "Bali Wine Club" and the "Chaîne des Rôtisseurs" Black-Tie dinners are for members and their guests only. If you've booked a villa through Balivillas.com and are seriously interested in good food and wine, please call their Service Center at 703-060 to arrange your attendance.
* Hash House Harriers: There are three groups of Hash House Harriers holding regular runs on every Monday, Thursday and Saturday at 4.30 p.m. You can find up-to-date information at the GLORY restaurant in Legian, LIPS Country & Western Bar and BALI BAKERY in Kuta, ALAS ARUM supermarket, ARRI'S CAFE and ARENA Sports Bar in Sanur, and at NAUGHTY NURI'S bar in Ubud. For more details please visit their web site.
* Social Clubs: Rotarians, Lions, Scal Club members, etc. hold regular meetings in various parts of Bali. Schedules are published in the local newspapers.
For more suggestions what to see and do during your stay on the island of Bali, please visit also the following pages:
* The Most Popular Bali Tours
* Balinese Dances, Dramas
* Bali Museums & Art Exhibitions
* Popular Bali Activities
* Shopping in Bali
* Bali After Dark
goes to bali god island
BALI FLIGHT INFORMATION
Don't look for "Bali" in airline time tables. It's listed as "Denpasar" (DPS) which is the name of the island's capital. However, from Bali's international Ngurah Rai Airport it takes you just 15 to 30 minutes by car to Kuta, Legian, Sanur and Nusa Dua, and in about 50 to 60 minutes you can be in Ubud.
Today there is an increasing number of direct flight connections between Bali and Adelaide, Amsterdam, Auckland, Bangkok, Brunei, Brisbane, Cairns, Darwin, Frankfurt, Fukuoka, Guam, Honolulu, Kaohsiung, Kuala Lumpur, London, Los Angeles, Melbourne, Munich, Nagoya, Osaka, Paris, Perth, Rome, Seoul, Singapore, Sydney, Taipei, Tokyo, Vienna, and Zurich.
To check the Flight Schedules of the World's Major Airlines (not only flights to Bali but wherever you want to go), please click here. You might even wish to bookmark this page for all your air travel and flight information needs.
PRIVATE FLIGHTS TO BALI
Private Aircraft Charters, i.e. all non-scheduled commercial air transportation, is certainly not cheap but can be under certain circumstances the most economical means of travel. Look at the information for flights to Bali, check the airfares for different aircraft, and make your reservations on-line.
BALI TRAVEL BOOKS AND GUIDES - RECOMMENDED READINGS
(In association with Amazon.com Books)
Click the book title to order.
Bali Handbook, by Bill Dalton. Very detailed and well researched travel information for everybody seriously interested in Bali, its people, and all things Balinese. However, not much help for those looking for fine dining or luxury accommodation. Second edition revised in 1997.
Knopf Guide Bali. Beautiful layout of photography and artworks complement short essays on everything from detailed explanations of complex Hindu ceremonies to food preparation. The information here is amazingly accurate, and well presented with cross references to basic travel information.
Bali, Island of the Gods, Periplus Editions. In our opinion the best all-round Bali travel book with up-to-date information, detailed maps, and beautiful photographs. New edition expected in August 1999.
Insight Guide Bali, 16th. edition (March 1999) of this popular coffee table book with many beautiful photographs.
Lonely Planet Guide Bali & Lombok, by Paul Greenway, James Lyon, and Tony Wheeler. 7th. edition (February 1999) of this popular guide for the budget traveller.
East of Bali: From Lombok to Timor, by Kal Muller (photographs) and David Pickell, Passport Books. This travel book covers most islands between Bali and Australia.
Fodor's Indonesia (1999), by Laura M. Kidder. Travel book covering the whole Indonesian archipelago Fodor style.
Island of Bali, by Miguel Covarrubias. An introduction to the traditional Balinese culture written in the 1930's by this Mexican painter. A Classic and a Must for serious readers.
Bali: Sekala and Niskala I, by Fred B. Eiseman. Essays on religion, ritual and art. A great guide to the elaborate rituals of the Balinese, written by an American scholar who clearly loves this island.
Bali: Sekala and Niskala II, by Fred B. Eiseman. Essays on society, tradition, and craft. Detailed descriptions of every aspect of daily life in Bali, from morning offerings to mask making.
BALI: a Paradise Created, by Adrian Vickers. Over three centuries the West has created the exotic image of a tropical paradise which even has been taken over by the Balinese themselves. This book provides insight in the history full of violence and magic, art and ritual, warring kingdoms, slavery, mass suicides, and colonization.
BALI - the Ultimate Island, by Leonard Lueras and Ian Lloyd. The "ultimate coffee table book" on the "Ultimate Island".
Bali Style, by Barbara Walker and Rio Helmi. Photographs and descriptions of some of the most beautiful private residences in Bali.
The Food of Bali, by Heinz von Holzen. Introduction to Balinese food - followed by photographs and recipes of many local delicacies.
Diving and Snorkeling Guide to Bali and the Komodo Region, by Tim Rock. The name says it all.
Diving Indonesia: a Guide to the World's Greatest Diving, by (photographer and Indonesia expert) Kal Muller. Published in June 1999 with great photographs.
Fielding's Surfing Indonesia, by Leonard Lueras, Lorca Lueras, and Kathy Knoles (editor). In-depth travel guide to boarding on the world's largest archipelago.
Indo Surf & Lingo, by Peter Neely, 20th. edition (September 1998). Describes all of Indonesia's sensational surf spots in detail including Bali's 27 incredible breaks. With photos, maps and insider info.
* Private Vacation Villas in Bali. - You can rent a private villa in Bali with one to seven bedrooms, tropical garden with private swimming pool, all amenities and trained household staff for a romantic honeymoon or a vacation with your family and friends.
* Bali Hotel Bargain Finder. - Take advantage of the GUARANTEED lowest rates at famous luxury resorts and budget hotels in Bali. Reserve on-line to save 70% and more on your hotel accommodation.
* Cruising the Spice Islands from Bali. - Join a scheduled cruise or charter your own traditional Buginese schooner with 3 to 19 cabins and expert crew to visit fierce dragons which have survived from the Jurassic age only on Komodo, and to experience ancient tribes and cultures in the Lesser Sunda Islands.
BALI FLIGHT INFORMATION
Don't look for "Bali" in airline time tables. It's listed as "Denpasar" (DPS) which is the name of the island's capital. However, from Bali's international Ngurah Rai Airport it takes you just 15 to 30 minutes by car to Kuta, Legian, Sanur and Nusa Dua, and in about 50 to 60 minutes you can be in Ubud.
Today there is an increasing number of direct flight connections between Bali and Adelaide, Amsterdam, Auckland, Bangkok, Brunei, Brisbane, Cairns, Darwin, Frankfurt, Fukuoka, Guam, Honolulu, Kaohsiung, Kuala Lumpur, London, Los Angeles, Melbourne, Munich, Nagoya, Osaka, Paris, Perth, Rome, Seoul, Singapore, Sydney, Taipei, Tokyo, Vienna, and Zurich.
To check the Flight Schedules of the World's Major Airlines (not only flights to Bali but wherever you want to go), please click here. You might even wish to bookmark this page for all your air travel and flight information needs.
PRIVATE FLIGHTS TO BALI
Private Aircraft Charters, i.e. all non-scheduled commercial air transportation, is certainly not cheap but can be under certain circumstances the most economical means of travel. Look at the information for flights to Bali, check the airfares for different aircraft, and make your reservations on-line.
BALI TRAVEL BOOKS AND GUIDES - RECOMMENDED READINGS
(In association with Amazon.com Books)
Click the book title to order.
Bali Handbook, by Bill Dalton. Very detailed and well researched travel information for everybody seriously interested in Bali, its people, and all things Balinese. However, not much help for those looking for fine dining or luxury accommodation. Second edition revised in 1997.
Knopf Guide Bali. Beautiful layout of photography and artworks complement short essays on everything from detailed explanations of complex Hindu ceremonies to food preparation. The information here is amazingly accurate, and well presented with cross references to basic travel information.
Bali, Island of the Gods, Periplus Editions. In our opinion the best all-round Bali travel book with up-to-date information, detailed maps, and beautiful photographs. New edition expected in August 1999.
Insight Guide Bali, 16th. edition (March 1999) of this popular coffee table book with many beautiful photographs.
Lonely Planet Guide Bali & Lombok, by Paul Greenway, James Lyon, and Tony Wheeler. 7th. edition (February 1999) of this popular guide for the budget traveller.
East of Bali: From Lombok to Timor, by Kal Muller (photographs) and David Pickell, Passport Books. This travel book covers most islands between Bali and Australia.
Fodor's Indonesia (1999), by Laura M. Kidder. Travel book covering the whole Indonesian archipelago Fodor style.
Island of Bali, by Miguel Covarrubias. An introduction to the traditional Balinese culture written in the 1930's by this Mexican painter. A Classic and a Must for serious readers.
Bali: Sekala and Niskala I, by Fred B. Eiseman. Essays on religion, ritual and art. A great guide to the elaborate rituals of the Balinese, written by an American scholar who clearly loves this island.
Bali: Sekala and Niskala II, by Fred B. Eiseman. Essays on society, tradition, and craft. Detailed descriptions of every aspect of daily life in Bali, from morning offerings to mask making.
BALI: a Paradise Created, by Adrian Vickers. Over three centuries the West has created the exotic image of a tropical paradise which even has been taken over by the Balinese themselves. This book provides insight in the history full of violence and magic, art and ritual, warring kingdoms, slavery, mass suicides, and colonization.
BALI - the Ultimate Island, by Leonard Lueras and Ian Lloyd. The "ultimate coffee table book" on the "Ultimate Island".
Bali Style, by Barbara Walker and Rio Helmi. Photographs and descriptions of some of the most beautiful private residences in Bali.
The Food of Bali, by Heinz von Holzen. Introduction to Balinese food - followed by photographs and recipes of many local delicacies.
Diving and Snorkeling Guide to Bali and the Komodo Region, by Tim Rock. The name says it all.
Diving Indonesia: a Guide to the World's Greatest Diving, by (photographer and Indonesia expert) Kal Muller. Published in June 1999 with great photographs.
Fielding's Surfing Indonesia, by Leonard Lueras, Lorca Lueras, and Kathy Knoles (editor). In-depth travel guide to boarding on the world's largest archipelago.
Indo Surf & Lingo, by Peter Neely, 20th. edition (September 1998). Describes all of Indonesia's sensational surf spots in detail including Bali's 27 incredible breaks. With photos, maps and insider info.
* Private Vacation Villas in Bali. - You can rent a private villa in Bali with one to seven bedrooms, tropical garden with private swimming pool, all amenities and trained household staff for a romantic honeymoon or a vacation with your family and friends.
* Bali Hotel Bargain Finder. - Take advantage of the GUARANTEED lowest rates at famous luxury resorts and budget hotels in Bali. Reserve on-line to save 70% and more on your hotel accommodation.
* Cruising the Spice Islands from Bali. - Join a scheduled cruise or charter your own traditional Buginese schooner with 3 to 19 cabins and expert crew to visit fierce dragons which have survived from the Jurassic age only on Komodo, and to experience ancient tribes and cultures in the Lesser Sunda Islands.
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The government of Indonesia has changed its visa policy for foreign tourists effective February 1st., 2004.
Visiting Indonesia Without Any Visa
Entering Indonesia without any visa is possible now only for nationals of the following 11 countries and territories: Brunei Darussalam, Chile, Hong Kong, Macau, Malaysia, Morocco, Peru, the Philippines, Singapore, Thailand and Vietnam.
Citizens of the above countries will be issued on arrival a stay permit for 30 days free of charge upon presentation of a passport which is valid at least for another 6 months. This stay permit cannot be extended or converted into another type of visa.
VISA on ARRIVAL (VoA)
This facility is now available for nationals of the following countries: Algeria, Argentina, Australia, Austria, Bahrain, Belgium, Brazil, Bulgaria, Cambodia, Canada, Czech Republic, Denmark, Egypt, Estonia, Fiji, Finland, France, Germany, Greece, Holland, Hungary, Iceland, India, Iran, Ireland, Italy, Japan, Kuwait, Laos, Latvia, Libya, Lichtenstein, Lithuania, Luxembourg, Maldives, Malta, Mexico, Monaco, New Zealand, Norway, Oman, Panama, People's Republic of China, Poland, Portugal, Quatar, Romania, Russia, Saudi Arabia, Slovakia, Slovenia, South Africa, South Korea, Spain, Suriname, Switzerland, Sweden, Taiwan, Tunisia, United Arab Emirates, United Kingdom and the United States of America.
Citizens of these countries will be able to apply for a VoA valid for either 7 or 30 days upon arrival by air in Bali, Jakarta and a few other international airports or by ship at a limited number of Indonesian sea ports. A 7-day visa costs US$10 and a 30-day visa costs US$25.
The VoA cannot be extended or converted into any other kind of visa. Also be aware that Immigration officials calculate the 30-day period as follows: your arrival day is counted as your first day, and you must leave the country on the 30th. day!
How to Obtain the "VISA on ARRIVAL" (VoA)
Travelers from the above countries must be in posession of a passport which is valid for at least 6 months from the date of arrival and the completed embarkation/disembarkation card they received from their airline. They must also be able to prove they have sufficient funds for their stay in Indonesia.
Arriving travelers with Visa-On-Arrival status have to go first to one of the 'VoA Counters' to pay the appropriate fee and have their passports stamped with the VoA before proceeding to the Immigration Clearance Desk. An official bank is part of the VoA service counters. Payment of visa fees can be made in all major currencies or by VISA or MASTERCARD.
Visa On Arrival
Requirement and Types of Visa Before Arrival
Citizens of countries neither on the VoA nor Visa-Free lists are required to apply for a visa overseas before travelling to Indonesia. Nationals of ALL countries planning to stay for more than 30 days in Indonesia also have to apply for the appropriate visa (tourist, business, social-cultural, etc.) at an overseas Indonesian Consulate or Foreign Mission before departing for Indonesia. For details of various types of Visa, please visit the page Visa of the Republic of Indonesia.
The government of Indonesia has changed its visa policy for foreign tourists effective February 1st., 2004.
Visiting Indonesia Without Any Visa
Entering Indonesia without any visa is possible now only for nationals of the following 11 countries and territories: Brunei Darussalam, Chile, Hong Kong, Macau, Malaysia, Morocco, Peru, the Philippines, Singapore, Thailand and Vietnam.
Citizens of the above countries will be issued on arrival a stay permit for 30 days free of charge upon presentation of a passport which is valid at least for another 6 months. This stay permit cannot be extended or converted into another type of visa.
VISA on ARRIVAL (VoA)
This facility is now available for nationals of the following countries: Algeria, Argentina, Australia, Austria, Bahrain, Belgium, Brazil, Bulgaria, Cambodia, Canada, Czech Republic, Denmark, Egypt, Estonia, Fiji, Finland, France, Germany, Greece, Holland, Hungary, Iceland, India, Iran, Ireland, Italy, Japan, Kuwait, Laos, Latvia, Libya, Lichtenstein, Lithuania, Luxembourg, Maldives, Malta, Mexico, Monaco, New Zealand, Norway, Oman, Panama, People's Republic of China, Poland, Portugal, Quatar, Romania, Russia, Saudi Arabia, Slovakia, Slovenia, South Africa, South Korea, Spain, Suriname, Switzerland, Sweden, Taiwan, Tunisia, United Arab Emirates, United Kingdom and the United States of America.
Citizens of these countries will be able to apply for a VoA valid for either 7 or 30 days upon arrival by air in Bali, Jakarta and a few other international airports or by ship at a limited number of Indonesian sea ports. A 7-day visa costs US$10 and a 30-day visa costs US$25.
The VoA cannot be extended or converted into any other kind of visa. Also be aware that Immigration officials calculate the 30-day period as follows: your arrival day is counted as your first day, and you must leave the country on the 30th. day!
How to Obtain the "VISA on ARRIVAL" (VoA)
Travelers from the above countries must be in posession of a passport which is valid for at least 6 months from the date of arrival and the completed embarkation/disembarkation card they received from their airline. They must also be able to prove they have sufficient funds for their stay in Indonesia.
Arriving travelers with Visa-On-Arrival status have to go first to one of the 'VoA Counters' to pay the appropriate fee and have their passports stamped with the VoA before proceeding to the Immigration Clearance Desk. An official bank is part of the VoA service counters. Payment of visa fees can be made in all major currencies or by VISA or MASTERCARD.
Visa On Arrival
Requirement and Types of Visa Before Arrival
Citizens of countries neither on the VoA nor Visa-Free lists are required to apply for a visa overseas before travelling to Indonesia. Nationals of ALL countries planning to stay for more than 30 days in Indonesia also have to apply for the appropriate visa (tourist, business, social-cultural, etc.) at an overseas Indonesian Consulate or Foreign Mission before departing for Indonesia. For details of various types of Visa, please visit the page Visa of the Republic of Indonesia.
Denpasar
* Bali Museum
Jalan Letkol Wisnu, Denpasar
Open daily from 8 a.m. to 3.00 p.m. except Mondays.
* Danes Art Veranda
Jalan Hayam Wuruk 159, Denpasar. Tel. 250 037
Local and regional artists, rotating exhibitions.
* Museum of Archeology
Jalan Letkol Wisnu, Denpasar
Open daily from 8 a.m. to 3.00 p.m. except Mondays.
* Taman Budaya Cultural Center
Jalan Nusa Indah, Denpasar.
Open daily from 8 a.m. to 3.00 p.m. except holidays.
Kuta/Legian/Seminyak
* Randelli Gallery
Jalan Raya Seminyak, Seminyak.
Contemporary mix of pop, figurative and abstact art by young established artists both international and local.
Sanur
* Museum Le Mayeur
Jalan Hang Tuah, Sanur
Open daily from 8 a.m. to 5 p.m. except Fridays.
Jimbaran/Tanjung Benoa/Nusa Dua
* Ganesha Gallery
Four Seasons Hotel, Jimbaran. Tel. 0361-701 010
Features local and international artists based in Indonesia often very high profile. Frequent happenings.
* Jenggala Keramik Bali
Jalan Uluwatu II, Jimbaran. Tel. 0361-703 311
description here
Ubud
* Agung Rai Museum of Art
Jalan Pengosekan, Peliatan, Ubud.
Open daily from 9.00 a.m. to 6 p.m. except holidays.
* Agung Rai Museum of Art (ARMA)
Jalan Bima, Pangosekan, Ubud. Tel. 0361-974 228
One of the most distinguished galeries in Bali, where you can see works of some Bali's celebrated names like Spies, Bonnet, Hofker and Affandi. They also hold high profile events such as national art competitions and rotating exhibitions.
* Antonio Blanco Renaissance Museum
Jalan Raya Campuhan, Ubud. Tel. 0361-975 502
Dedicated to the life and work of famed Philippino artists Antonio Blanco, the space includes his original studio, gardens and family temple.
* Bamboo Gallery
Nyuhkuning, Pengosekan, Ubud.
Open from Monday to Friday 8.00 a.m. to 5.00 p.m.
* Blue Moon Gallery
Jalan Tirta Tawar, Banjar Kutuh Kaja, Ubud.
900 meters north of Ubud's main road, and Studio Blue Moon, Ubud main road at Jalan Sriwedari
Open daily from 10 am to 5 pm, specializing in exhibitions featuring emerging contemporary artists.
* Gaya Fusion of Senses
Jalan Raya Sayan, Ubud. Tel. 0361-979 252
High concept space featuring major exhibiton by both international and local artists featuring contemporary art, paintings, performace, installations and sculptures. A real center for the arts.
* Komaneka Gallery:
Jalan Monkey Forest, Ubud. Tel. 0361-976 090
A fine art gallery that focuses on young mainly local artists with higher education in the arts, who may have studios abroad.
* Low Art Gallery
Jalan Raya Ubud No. 8, Ubud. Tel 081 338 565962
Recently opened gallery specializing in the kitsch and the retro. Includes substantial collection of old movie posters and all kinds of weird and wonderful art.
* Neka Museum
Jalan Raya Campuhan, Ubud.
Open daily 8.00 to 5.00 p.m. except holidays.
* Museum Puri Lukisan
Jalan Raya Ubud, Ubud.
Open daily 8.00 a.m. to 4.00 p.m. except holidays.
* Rudana Museum
Peliatan, Teges, Ubud. Tel. 0361-975 779
Boasts an excellent collection of Balinese and other Indonesian fine arts by the likes of I Gusti Nyoman Lempad, Affandi, Supono and Antonio Blanco.
* Sika Contemporary Art Gallery
Jalan Raya Campuhan, Ubud. Tel. 0361-975 727
Provides a venue for young creative artists, both local and itnernational. Holds regular temproary exhibitions and events.
* Seniwati Gallery of Art by Women
Jalan Sriwidari 2B, Ubud. Tel. 0361-975 485
Seniwati supports and showcases women artists and also houses a shop where crafts can be bought, some of them by artists who exhibit in the gallery.
Others:
For exhibitions and other events such as high-tech Wayang Kulit performances in Ubud, concerts, Western theater performances, bull racing in Tabanan, etc. as well as the daily movie programs, please see the daily "Bali Post" newspaper and the Friday edition of the English language "Jakarta Post" for details.
For more suggestions what to see and do during your stay on the island of Bali, please visit also the following pages:
* The Most Popular Bali Tours
* Balinese Dances, Dramas
* Bali Museums & Art Exhibitions
* Popular Bali Activities
* Shopping in Bali
* Bali After Dark
goes to bali god island
Galungan is a Balinese holiday that occurs every 210 days and lasts for 10 days. Kuningan is the last day of the holiday. Galungan means "When the Dharma is winning." During this holiday the Balinese gods visit the Earth and leave on Kuningan.
Occurring once in every 210 days in the pawukon (Balinese cycle of days), Galungan marks the beginning of the most important recurring religious ceremony that is celebrated by all Balinese. During the Galungan period the deified ancestors of the family descend to their former homes. They must be suitably entertained and welcomed, and prayers and offerings must be made for them. Those families who have ancestors that have not yet been cremated, but are still buried in the village cemetery, must make offerings at the graves.
Although Galungan falls on a Wednesday, most Balinese will begin their Galungan 'holiday' the day before, where the family is seen to be busily preparing offerings and cooking for the next day. While the women of the household have been busy for days before creating beautifully woven 'banten' (offerings made from young coconut fronds), the men of our village usually wake up well before dawn to join with their neighbours to slaughter a pig unlucky enough to be chosen to help celebrate this occasion. Then the finely diced pork is mashed to a pulp with a grinding stone, and moulded onto sate sticks that have been already prepared by whittling small sticks of bamboo. Chickens may also be chosen from the collection of free-range chickens that roam around the house compound. Delicate combinations of various vegetables, herbs and spices are also prepared by the men to make up a selection of 'lawar' dishes. While much of this cooking is for use in the offerings to be made at the family temple, by mid-morning, once all the cooking is done, it is time for the first of a series of satisfying feasts from what has been prepared. While the women continue to be kept busy with the preparations of the many offerings to be made at the family temple on the day of Galungan, the men also have another job to do this day, once the cooking is finished. A long bamboo pole, or 'penjor', is made to decorate the entrance to the family compound. By late Tuesday afternoon all over Bali the visitor can see these decorative poles creating a very festive atmosphere in the street.
On Wednesday, the day of Galungan, one will find that most Balinese will try to return to their own ancestral home at some stage during the day, even if they work in another part of the island. This is a very special day for families, where offerings are made to God and to the family ancestors who have come back to rest at this time in their family temple. As well as the family temple, visits are made to the village temple with offerings as well, and to the homes of other families who may have helped the family in some way over the past six months.
The day after Galungan is a time for a holiday, visiting friends, maybe taking the opportunity to head for the mountains for a picnic. Everyone is still seen to be in their 'Sunday best' as they take to the streets to enjoy the festive spirit that Galungan brings to Bali.
The date for Galungan and other special Balinese days is shown on the Balinese Calendar.
Galungan is a Balinese holiday that occurs every 210 days and lasts for 10 days. Kuningan is the last day of the holiday. Galungan means "When the Dharma is winning." During this holiday the Balinese gods visit the Earth and leave on Kuningan.Occurring once in every 210 days in the pawukon (Balinese cycle of days), Galungan marks the beginning of the most important recurring religious ceremony that is celebrated by all Balinese. During the Galungan period the deified ancestors of the family descend to their former homes. They must be suitably entertained and welcomed, and prayers and offerings must be made for them. Those families who have ancestors that have not yet been cremated, but are still buried in the village cemetery, must make offerings at the graves.
Although Galungan falls on a Wednesday, most Balinese will begin their Galungan 'holiday' the day before, where the family is seen to be busily preparing offerings and cooking for the next day. While the women of the household have been busy for days before creating beautifully woven 'banten' (offerings made from young coconut fronds), the men of our village usually wake up well before dawn to join with their neighbours to slaughter a pig unlucky enough to be chosen to help celebrate this occasion. Then the finely diced pork is mashed to a pulp with a grinding stone, and moulded onto sate sticks that have been already prepared by whittling small sticks of bamboo. Chickens may also be chosen from the collection of free-range chickens that roam around the house compound. Delicate combinations of various vegetables, herbs and spices are also prepared by the men to make up a selection of 'lawar' dishes. While much of this cooking is for use in the offerings to be made at the family temple, by mid-morning, once all the cooking is done, it is time for the first of a series of satisfying feasts from what has been prepared. While the women continue to be kept busy with the preparations of the many offerings to be made at the family temple on the day of Galungan, the men also have another job to do this day, once the cooking is finished. A long bamboo pole, or 'penjor', is made to decorate the entrance to the family compound. By late Tuesday afternoon all over Bali the visitor can see these decorative poles creating a very festive atmosphere in the street.
On Wednesday, the day of Galungan, one will find that most Balinese will try to return to their own ancestral home at some stage during the day, even if they work in another part of the island. This is a very special day for families, where offerings are made to God and to the family ancestors who have come back to rest at this time in their family temple. As well as the family temple, visits are made to the village temple with offerings as well, and to the homes of other families who may have helped the family in some way over the past six months.
The day after Galungan is a time for a holiday, visiting friends, maybe taking the opportunity to head for the mountains for a picnic. Everyone is still seen to be in their 'Sunday best' as they take to the streets to enjoy the festive spirit that Galungan brings to Bali.
The date for Galungan and other special Balinese days is shown on the Balinese Calendar.
goes to bali god island
The Bali Kite Festival is an annual international kite festival held in July in Padang Galak area, Sanur Beach, Bali. Traditional giant kites (4 meters in width and almost 10 meters in length) are made and flown competitively by teams from the villages (banjar) of Denpasar. The event is a seasonal religious festival intended to send a message to the Hindu Gods to create abundant crops and harvests.
Bebean (fish-shaped), Janggan (bird-shaped) and Pecukan (leaf-shaped) are three traditional kites flown during this kite festival. The kites are flown by teams of 10 or more adult kitefliers. The Bebean is the largest kite, and looks like a broad-mouthed, split-tailed fish. The Janggan form has a broad flowing cloth tail that can reach more than 100 meters in length. The Pecukan requires the most skill to fly, as its unstable form often tumbles towards the ground. Red, white and black are traditional colours used in the kite's designs. Each type of traditional kite has its own competition, with heats of 10 teams vying for the best launch and longest flight. Sometimes the kites come down over the adjacent rice paddies, and the team members have to dash through the paddy to rescue the kite before it lands in the water.
A competition is also held for 'New Creation' kites which may include detailed three dimensional figures representing the Hindu Gods or sponsorship kites. Traditional and new creation kites are constructed from bamboo and cotton cloth.
In the dry season of June through August, the winds blow continually from east to west in most of Indonesia. Balinese children and adults fly kites in the vacant rice paddies during this period.
A gamelan orchestra plays music throughout the festival. The festival attracts many tourists and international kitefliers, along with many local spectators.
The Bali Kite Festival is an annual international kite festival held in July in Padang Galak area, Sanur Beach, Bali. Traditional giant kites (4 meters in width and almost 10 meters in length) are made and flown competitively by teams from the villages (banjar) of Denpasar. The event is a seasonal religious festival intended to send a message to the Hindu Gods to create abundant crops and harvests.
Bebean (fish-shaped), Janggan (bird-shaped) and Pecukan (leaf-shaped) are three traditional kites flown during this kite festival. The kites are flown by teams of 10 or more adult kitefliers. The Bebean is the largest kite, and looks like a broad-mouthed, split-tailed fish. The Janggan form has a broad flowing cloth tail that can reach more than 100 meters in length. The Pecukan requires the most skill to fly, as its unstable form often tumbles towards the ground. Red, white and black are traditional colours used in the kite's designs. Each type of traditional kite has its own competition, with heats of 10 teams vying for the best launch and longest flight. Sometimes the kites come down over the adjacent rice paddies, and the team members have to dash through the paddy to rescue the kite before it lands in the water.
A competition is also held for 'New Creation' kites which may include detailed three dimensional figures representing the Hindu Gods or sponsorship kites. Traditional and new creation kites are constructed from bamboo and cotton cloth.
In the dry season of June through August, the winds blow continually from east to west in most of Indonesia. Balinese children and adults fly kites in the vacant rice paddies during this period.
A gamelan orchestra plays music throughout the festival. The festival attracts many tourists and international kitefliers, along with many local spectators.
goes to bali god island
Nyepi is a Balinese "Day of Silence" that falls on Bali's Lunar New Year (March 26, 2009). It is a day of silence, fasting, and meditation.
Observed from 6 a.m. until 6 a.m. the next morning, Nyepi is a day reserved for self-reflection and as such, anything that might interfere with that purpose is restricted. The main restrictions are: no lighting fires (and lights must be kept low); no working; no entertainment or pleasure; no traveling; and for some, no talking or eating at all. The effect of these prohibitions is that Bali’s usually bustling streets and roads are empty, there is little or no noise from TVs and radios, and few signs of activity are seen even inside homes. The only people to be seen outdoors are the Pecalang, traditional security men who patrol the streets to ensure the prohibitions are being followed.
Although Nyepi is primarily a Hindu holiday, non-Hindu residents of Bali observe the day of silence as well, out of respect for their fellow citizens. Even tourists are not exempt; although free to do as they wish inside their hotels, no one is allowed onto the beaches or streets, and the only airport in Bali remains closed for the entire day. The only exceptions granted are for emergency vehicles carrying those with life-threatening conditions and women about to give birth.
On the day after Nyepi, known as Ngembak Geni, social activity picks up again quickly, as families and friends gather to ask forgiveness from one another, and to perform certain religious rituals together.
* First, The Melasti Ritual is performed at the 3-4 previous day. It is dedicated to Sanghyang Widhi/Vishnu-Devas-Bataras and is performed at the beach to respect them as the owner of The Land and Sea.
* Second, The Bhuta Yajna Ritual is performed in order to vanquish the negative elements and create balance with God, Mankind, and Nature.
* Third, The Nyepi Rituals is performed with the following conditions:
o Amati Geni: No fire/light
o Amati Karya: No working
o Amati Lelunganan: No traveling
o Amati Lelanguan: Fasting
* Fourth, The Yoga/Brata Ritual starts at 6:00 AM March 19 and continues to 6:00 AM March 20 (24 hours, dates provided are for 2007).
* Fifth, The Ngebak Agni/Labuh Brata Ritual is performed for all Hindu's to forgive each other and to welcome the new days to come.
* Sixth and finally, The Dharma Shanti Rituals is performed as the Nyepi Day or "Day of Silence."
Nyepi is a Balinese "Day of Silence" that falls on Bali's Lunar New Year (March 26, 2009). It is a day of silence, fasting, and meditation.
Observed from 6 a.m. until 6 a.m. the next morning, Nyepi is a day reserved for self-reflection and as such, anything that might interfere with that purpose is restricted. The main restrictions are: no lighting fires (and lights must be kept low); no working; no entertainment or pleasure; no traveling; and for some, no talking or eating at all. The effect of these prohibitions is that Bali’s usually bustling streets and roads are empty, there is little or no noise from TVs and radios, and few signs of activity are seen even inside homes. The only people to be seen outdoors are the Pecalang, traditional security men who patrol the streets to ensure the prohibitions are being followed.
Although Nyepi is primarily a Hindu holiday, non-Hindu residents of Bali observe the day of silence as well, out of respect for their fellow citizens. Even tourists are not exempt; although free to do as they wish inside their hotels, no one is allowed onto the beaches or streets, and the only airport in Bali remains closed for the entire day. The only exceptions granted are for emergency vehicles carrying those with life-threatening conditions and women about to give birth.
On the day after Nyepi, known as Ngembak Geni, social activity picks up again quickly, as families and friends gather to ask forgiveness from one another, and to perform certain religious rituals together.
* First, The Melasti Ritual is performed at the 3-4 previous day. It is dedicated to Sanghyang Widhi/Vishnu-Devas-Bataras and is performed at the beach to respect them as the owner of The Land and Sea.
* Second, The Bhuta Yajna Ritual is performed in order to vanquish the negative elements and create balance with God, Mankind, and Nature.
* Third, The Nyepi Rituals is performed with the following conditions:
o Amati Geni: No fire/light
o Amati Karya: No working
o Amati Lelunganan: No traveling
o Amati Lelanguan: Fasting
* Fourth, The Yoga/Brata Ritual starts at 6:00 AM March 19 and continues to 6:00 AM March 20 (24 hours, dates provided are for 2007).
* Fifth, The Ngebak Agni/Labuh Brata Ritual is performed for all Hindu's to forgive each other and to welcome the new days to come.
* Sixth and finally, The Dharma Shanti Rituals is performed as the Nyepi Day or "Day of Silence."
Balinese Dances
Most Balinese dance performances are held in the evenings, however, you can also see some Barong Dance performances in the morning.
If you prefer to watch one of these Balinese dance performances in a hotel after a sumptuous dinner buffet, the OBEROI is recommended because of the beautiful beach front setting. For those who do not wish to have dinner here, there is a US$10/person fee to enjoy the dances; Classical Dance on Tuesdays and Ramayana Dance on Thursdays, starting from 8:30 p.m.
Bali Dance Festival offers daily dance performance during buffet at US$25 per person. The restaurant opens at 7:00pm for dinner and on 8:00pm the performance starts. For further information and booking, please call 703-060.
If you have rented a villa, you can contact our local Service Center at 703-060 to arrange a private Balinese dance performance in your garden at any time convenient for you. 40 to 60 dancers and musicians in beautiful costumes will perform the Balinese dances of your choice and be afterwards available to explain anything you might wish to know.
* Barong Dance: This Balinese dance is about a contest between the opposing forces of chaos and destruction ("Rangda") and order (the "Barong"). Performances in Suwung and Kesiman (suburbs of Denpasar), and in Batubulan daily from 9:00 or 9:30 a.m.; in Banjar Abasan, Singapadu, daily from 9:30 a.m., and at Puri Saren in Ubud, Friday from 6:30 p.m.
* Legong Dance: A highly stylized, extremely difficult dance performed by young girls. Choreographed to the finest details, and no improvisation allowed. Performances at the Peliatan Stage, Friday from 6:30 p.m., at Pura Dalem, Puri Peliatan, Saturday from 6:30 p.m., at Pura Peliatan in Ubud, Sunday from 7:30 p.m., and at Puri Saren, Ubud, Monday from 7:30 p.m.
* Kecak Dance: A ritual dance created in the early 1930's for the movie "Island of the Demons" by the German painter and intellectual Walter Spies who combined the chorus of the "Sanghyang" trance dance with a story from the "Ramayana" legend. Very impressive with its circular chorus of sometimes over 100 bare chested male singers. Performances are held at the Arts Center, Denpasar, daily from 6:30 p.m., and in Banjar Tegal, Ubud, Sunday from 6:00 p.m.
* Fire Dance: The Fire Dance is an exorcist dance against spirit possession. Girls in trance dance barefoot among glowing coals. Performances in Bona Kangin, Gianyar, Friday. Monday and Wednesday from 6:30 p.m. In Bonasari, Gianyar, Friday, Monday and Wednesday from 7:00 p.m., and in Batubulan, daily from 6:30 p.m.
* Ramayana Dance: There are occasional performances of this Balinese dance Nusa Dua Beach Hotel & Spa. This cultural dinner show is available on Tuesdays from 8:00 p.m at Rp. 240,000 + 21% tax and service charges per person.
If you are seriously interested in Balinese dance and music, you should contact the YAYASAN POLOS SENI (Foundation for Pure Art) in Peliatan near Ubud. They offer dance and music lessons at reasonable prices (see under "Balinese Dance & Music Classes" at Popular Bali Activities).
Wayang Kulit, Traditional Drama & Other Performances
* Wayang Kulit: In the Indonesian shadow puppet play, beautifully painted and gilded leather puppets are used although only the shadows are visible to the audience. The stories come from the spirit world and are full of symbolism and myth. A highly skilled puppeteer controls hundreds of puppets, speaks with a different voice for each character, and controls the musicians. Plays go on for several hours. Performances can be seen at Oka Kartini, Tebesaya, Peliatan, Ubud, on Saturdays from 8:00 p.m.
* Balinese Temple Festivals, Drama, Other Performances: See the "Bali Post" daily newspaper and the Friday edition of the English language "Jakarta Post" for details.
For more suggestions what to see and do during your stay on the island of Bali, please visit also the following pages:
* The Most Popular Bali Tours
* Balinese Dances, Dramas
* Bali Museums & Art Exhibitions
* Popular Bali Activities
* Shopping in Bali
* Bali After Dark
goes to bali god island
Ngaben, or Cremation Ceremony, is the ritual performed in Bali to send the deceased to the next life. The body of the deceased will be placed as if sleeping, and the family will continue to treat the deceased as sleeping. No tears are shed, because the deceased is only temporarily not present and will reincarnate or find his final rest in Moksha (freeing from the reincarnation and death cycle).
The proper day of the ceremony is always a matter of consulting a specialist on ceremony days. On the day of the ceremony, the body of the deceased is placed inside a coffin. This coffin is placed inside a sarcophagus resembling a buffalo (Lembu) or in a temple structure (Wadah) made of paper and wood. The buffalo or temple structure will be carried to the cremation site in a procession. The procession is not walking in a straight line. This is to confuse bad spirits and keep them away from the deceased.
The climax of Ngaben is the burning of the whole structure, together with the body of the deceased. The fire is necessary to free the spirit from the body and enable reincarnation.
Ngaben is not always immediately performed. For higher caste members it is normal to perform the ritual within 3 days. For lower caste members the deceased are buried first and later, often in a group ceremony for the whole village, cremated.
Ngaben, or Cremation Ceremony, is the ritual performed in Bali to send the deceased to the next life. The body of the deceased will be placed as if sleeping, and the family will continue to treat the deceased as sleeping. No tears are shed, because the deceased is only temporarily not present and will reincarnate or find his final rest in Moksha (freeing from the reincarnation and death cycle).The proper day of the ceremony is always a matter of consulting a specialist on ceremony days. On the day of the ceremony, the body of the deceased is placed inside a coffin. This coffin is placed inside a sarcophagus resembling a buffalo (Lembu) or in a temple structure (Wadah) made of paper and wood. The buffalo or temple structure will be carried to the cremation site in a procession. The procession is not walking in a straight line. This is to confuse bad spirits and keep them away from the deceased.
The climax of Ngaben is the burning of the whole structure, together with the body of the deceased. The fire is necessary to free the spirit from the body and enable reincarnation.
Ngaben is not always immediately performed. For higher caste members it is normal to perform the ritual within 3 days. For lower caste members the deceased are buried first and later, often in a group ceremony for the whole village, cremated.
goes to bali god island
General Public Hospitals:
* Sanglah General Hospital (Rumah Sakit Umum Pusat / RSUP Sanglah), Denpasar.
* Badung General Hospital (Rumah Sakit Umum Daerah Badung / RSUD Badung).
* Tabanan General Hospital (Rumah Sakit Umum Daerah Tabanan/ RSUD Tabanan).
* Singaraja General Hospital (Rumah Sakit Umum Daerah Singaraja).
* Gianyar General Hospital (Rumah Sakit Umum Daerah Gianyar / RSUD Gianyar ).
* Bangli General Hospital (Rumah Sakit Umum Daerah Bangli / RSUD Bangli ).
* Klungkung General Hospital (Rumah Sakit Umum Daerah Klungkung).
* Negara general Hospital (Rumah Sakit Umum Daerah Negara / RSUD Negara ).
Private Hospitals:
* BIMC Hospital
* Kasih Ibu Hospital
(Is a private hospital located at Jl. Teuku Umar 120 Denpasar - Bali. Provides excellent medical services for the locals and also international patient. This hospital is accredited by WQA ISO 9001:2000 for quality. www.kasihibuhospital.com)
* Prima Medika Hospital
* Surya Husada Hospital
* Puri Bunda Maternity Hospital
* Dharma Husada Hospital
* Manuaba Hospital
General Public Hospitals:
* Sanglah General Hospital (Rumah Sakit Umum Pusat / RSUP Sanglah), Denpasar.
* Badung General Hospital (Rumah Sakit Umum Daerah Badung / RSUD Badung).
* Tabanan General Hospital (Rumah Sakit Umum Daerah Tabanan/ RSUD Tabanan).
* Singaraja General Hospital (Rumah Sakit Umum Daerah Singaraja).
* Gianyar General Hospital (Rumah Sakit Umum Daerah Gianyar / RSUD Gianyar ).
* Bangli General Hospital (Rumah Sakit Umum Daerah Bangli / RSUD Bangli ).
* Klungkung General Hospital (Rumah Sakit Umum Daerah Klungkung).
* Negara general Hospital (Rumah Sakit Umum Daerah Negara / RSUD Negara ).
Private Hospitals:
* BIMC Hospital
* Kasih Ibu Hospital
(Is a private hospital located at Jl. Teuku Umar 120 Denpasar - Bali. Provides excellent medical services for the locals and also international patient. This hospital is accredited by WQA ISO 9001:2000 for quality. www.kasihibuhospital.com)
* Prima Medika Hospital
* Surya Husada Hospital
* Puri Bunda Maternity Hospital
* Dharma Husada Hospital
* Manuaba Hospital
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Like the Balinese painting, Balinese wood carving underwent a similar transformation during the 1930s and 1940s. The creative outburst emerged during this transition period is often attributed to western influences. In 2006, an exhibition at the Nusantara Museum, Delft, the Netherlands Leidelmeijer[9] traced the Art Deco influence on Balinese wood carving. Leidelmeijer further conjectured that the Art Deco influence continued well into 1970s.
During the transition years, the Pitamaha Artist Guild was the prime mover not only for Balinese paintings, but also for the development of modern Balinese wood carvings. I Tagelan (1902-1935) produced an elongated carving of a Balinese woman from a long piece of wood that was given by Walter Spies, who originally requested him to produce two statues.[4] This carving is in the collection of the Puri Lukisan Museum in Ubud.
Other masters of Balinese modernist woodcarving were: Ida Bagus Nyana, Tjokot (1886-1971)[2] and Ida Bagus Tilem. Ida Bagus Nyana was known for experimenting with mass in sculpture. When carving human characters, he shortened some parts of the body and lengthened others, thus bringing an eerie, surreal quality to his work. At the same time he didn't overwork the wood and adopted simple, naive themes of daily life. He thus avoided the “baroque” trap, unlike many carvers of his day.
Tjokot gained a reputation for exploiting the expressive quality inherent in the wood. He would go into the forest to look for strangely shaped trunks and branches and, changing them as little as possible, transforming them into gnarled spooks and demonic figures.[2]
Ida Bagus Tilem, the son of Nyana, furthered Nyana and Tjokot's innovations both in his working of the wood and in his choice of themes. Unlike the sculptors from the previous generation, he was daring enough to alter the proportions of the characters depicted in his carving. He allowed the natural deformations in the wood to guide the form of his carving, using gnarled logs well suited for representing twisted human bodies. He saw each deformed log or branch as a medium for expressing human feelings. Instead of depicting myths or scenes of daily life, Tilem took up “abstract” themes with philosophical or psychological content: using distorted pieces of wood that are endowed with strong expressive powers.[2] Ida Bagus Tilem, however, was not only an artist, but also a teacher. He trained dozens of young sculptors from the area around the village of Mas. He taught them how to select wood for its expressive power, and how to establish dialogue between wood and Man that has become the mainstream of today's Balinese woodcarving.
Like the Balinese painting, Balinese wood carving underwent a similar transformation during the 1930s and 1940s. The creative outburst emerged during this transition period is often attributed to western influences. In 2006, an exhibition at the Nusantara Museum, Delft, the Netherlands Leidelmeijer[9] traced the Art Deco influence on Balinese wood carving. Leidelmeijer further conjectured that the Art Deco influence continued well into 1970s.During the transition years, the Pitamaha Artist Guild was the prime mover not only for Balinese paintings, but also for the development of modern Balinese wood carvings. I Tagelan (1902-1935) produced an elongated carving of a Balinese woman from a long piece of wood that was given by Walter Spies, who originally requested him to produce two statues.[4] This carving is in the collection of the Puri Lukisan Museum in Ubud.
Other masters of Balinese modernist woodcarving were: Ida Bagus Nyana, Tjokot (1886-1971)[2] and Ida Bagus Tilem. Ida Bagus Nyana was known for experimenting with mass in sculpture. When carving human characters, he shortened some parts of the body and lengthened others, thus bringing an eerie, surreal quality to his work. At the same time he didn't overwork the wood and adopted simple, naive themes of daily life. He thus avoided the “baroque” trap, unlike many carvers of his day.
Tjokot gained a reputation for exploiting the expressive quality inherent in the wood. He would go into the forest to look for strangely shaped trunks and branches and, changing them as little as possible, transforming them into gnarled spooks and demonic figures.[2]Ida Bagus Tilem, the son of Nyana, furthered Nyana and Tjokot's innovations both in his working of the wood and in his choice of themes. Unlike the sculptors from the previous generation, he was daring enough to alter the proportions of the characters depicted in his carving. He allowed the natural deformations in the wood to guide the form of his carving, using gnarled logs well suited for representing twisted human bodies. He saw each deformed log or branch as a medium for expressing human feelings. Instead of depicting myths or scenes of daily life, Tilem took up “abstract” themes with philosophical or psychological content: using distorted pieces of wood that are endowed with strong expressive powers.[2] Ida Bagus Tilem, however, was not only an artist, but also a teacher. He trained dozens of young sculptors from the area around the village of Mas. He taught them how to select wood for its expressive power, and how to establish dialogue between wood and Man that has become the mainstream of today's Balinese woodcarving.
goes to bali god island
Much of the buzz emanated from three villages: Ubud, where Spies settled, Sanur on the southern coast, and Batuan, a traditional hub of musicians, dancers, carvers and painters. The artists painted mostly on paper, though canvas and board were also used. Often, the works featured repetitive clusters of stylized foliage or waves that conveyed a sense of texture, even perspective. Each village evolved a style of its own. Ubud artists made more use of open spaces and emphasized human figures. Sanur paintings often featured erotic scenes and animals, and work from Batuan was less colorful but tended to be busier.[6]
Ubud Painting
Ubud has been the center of art for centuries, with the surrounding royal houses and temples as the main patrons. Prior to the 1920s, traditional wayang style paintings dominated the subject matters, although Jean Couteau[4] believes that both secular and religious theme paintings have long been co-existing in the form of the expression of the unity of opposites (Rwabhinneda in Balinese belief system).
It was not until the late 1920s that this balance was tilted toward secular art by the arrival of western artists such as Miguel Covarrubias, Adrien-Jean Le Mayeur, Theo Meier, Walter Spies and Rudolf Bonnet. The last two artists were often credited as the agents of change that brought Balinese Art to modernity.[4]
Their influence culminated with the founding of the Pitamaha Art Guild in 1936, with Tjokorda Gde Agung Sukawati as one of its founders. Its mission was to preserve the quality of Balinese Art in the rush of tourism to Bali. The board members of Pitamaha met regularly to select paintings submitted by its members, and to conduct exhibitions throughout Indonesia and abroad. Pitamaha was active until the beginning of the second world war in 1942.The subject matters shifted from religious narration to Balinese daily life. Ubud artists who were members to Pitamaha came from Ubud and its surrounding villages; Pengosekan, Peliatan and Tebasaya. Among them were: Ida Bagus Made Kembeng of the village of Tebesaya and his three sons Ida Bagus Wiri, Ida Bagus Made and Ida Bagus Belawa; Tjokorda Oka of the royal house of Peliatan; Anak Agung Gde Sobrat, Anak Agung Gde Meregeg, I Dewa Putu Bedil, I Dewa Nyoman Leper, Anak Agung Dana of Padangtegal; I Gusti Ketut Kobot, I Gusti Made Baret, I Wayan Gedot, Dewa Putu Mokoh of Pengosekan; I Gusti Deblog and I Gusti Nyoman Lempad.
The spirit of Pitamaha is well preserved by the descendents of these artists.Noted Ubudian artists include I Ketut Budiana, I Nyoman Meja, I Nyoman Kayun, A.A. Gde Anom Sukawati, I Gusti Agung Wiranata, and Ida Bagus Sena
Batuan Painting
The Batuan school of painting is practiced by brahman artists in the village of Batuan, which is situated ten kilometers to the South of Ubud. The Batuan artisans are gifted dancers, sculptors and painters. Major Batuan artists from the pre-modernist era include I Dewa Njoman Mura (1877-1950) and I Dewa Putu Kebes (1874-1962), who were known as sanging; traditional Wayang-style painters for temples' ceremonial textiles.
The western influence in Batuan did not reach the intensity it had in Ubud.[3] According to Claire Holt, the Batuan paintings were often sultry, crowded representations of either legendary scenes or themes from daily life, but they portrayed above all fearsome nocturnal moments when grotesque spooks, freakish animal monsters, and witches accosted people. This is particularly true for paintings collected by Margaret Mead and Gregory Bateson during their field studies in Bali in 1936 to 1939.[3] Gradations of black to white ink washes laid over most of the surface, so as to create an atmosphere of darkness and gloom. In the later years, the designs covered the entire space, which often contributed to the crowded nature of these paintings.
Among the early Batuan artists, I Ngendon (1903-1946) was considered the most innovative Batuan School painter.[4] Ngendon was not only a good painter, but a shrewd business man and political activist. He encouraged and mobilized his neighbours and friends to paint for tourist consumption. His ability in portraiture played an important role in teaching his fellow villagers in Batuan more than Spies and Bonnet.[4] The major Batuan artists from this period were: I Patera (1900-1935), I Tombos (b. 1917), Ida Bagus Togog (1913-1989), Ida Bagus Made Jatasura (1917-1946), Ida Bagus Ketut Diding (1914-1990), I Made Djata (1920-2001), and Ida Bagus Widja (1912-1992). The spirit of the Pitamaha period is still strong and continues by contemporary Batuan Artists such as I Made Budi , I Wayan Bendi (b. 1950), I Ketut Murtika (b. 1952), I Made Sujendra (b. 1964), and many others. I Made Budi and I Wayan Bendi paintings capture the influence of tourism in modern life in Bali. They place tourists with their camera, riding a motorbike or surfing in the midst of Balinese traditional village activities. The dichotomy of modern and traditional Balinese life are contrasted starkly in harmony. I Ketut Murtika ( still paints the traditional story of Mahabharata and Ramayana in a painstaking details with subdued colors. His painting of the Wheel of Life viewed from the Balinese beliefs system shows his mastery of local legends and painstaking attention to details. I Made Sujendra, an art teacher at a local art school, depicts old Balinese folklore with a modern eye and a high degree of individuality. Rejecting excessive decoration and relying on the composition itself, I Made Sujendra is successful in depicting tensions in his work and the old Batuan style of 1930s.[7]
Sanur Painting
Unlike Ubud and Batuan which are located in the inland of Bali, Sanur is a beach resort. Sanur was the home of the well known Belgian artist Le Mayeur de Mepres, who lived with a Balinese wife (Ni Polok) and had a beach house in Sanur beach.
Tourists in 1930s came to Bali on cruise ships docked in Sanur and made side trips to Ubud and neighboring tourist sites. Its prime location provided the Sanur artist with ready-access to Western tourists who frequented the shop of the Neuhaus Brothers who sold balinese souvenirs and tropical fishes. Neuhaus brothers became the major art dealer of Sanur paintings.
The beach around Sanur, full of outriggers and open horizon, provided local artists with a visual environment different from the the Ubud and Batuan, which are located in the hinterland.The playful atmosphere pervades the Sanur paintings, and are not dictated by the religious iconography[5]. It is lighter and airy than those of Batuan and Ubud with sea creatures, erotic scenery and wild animals drawn in rhythmic patterns; often in an Escher-like manner.[4] Most early works were black and white ink wash on paper, but at the request of Neuhaus, latter works were adorned with light pastel colors often added by other artists specializing in coloring a black and white drawings. Their name code is often found at the margin.
The Sanur school of painting is the most stylized and decorative among all modernBalinese Art. Major artists from Sanur are I Rundu, Ida Bagus Nyoman Rai, I Soekaria, I Poegoeg, I Rudin, and many others. I Rudin, who started to paint in mid 1930s, draws simple balinese dancers in the manner of the drawings of Miguel Covarrubias.
Young Artist Painting
The development of the Young Artist School of painting is attributed to the Dutch artist Arie Smit, a Dutch soldier who served during the 2nd world war and decided to stay in Bali. In the early 1960s, he came across children in the village of Penestanan near Tjampuhan drawing on the sand. He encouraged these children to paint by providing them with paper and paints.[4]
Their paintings are characterized by "child-like" drawings that lacks details and bright colors drawn with oil paint on canvas. By 1970s, it attracted around three hundred peasant painters to produce paintings for tourists. In 1983, the National Gallery of Malaysia held a major exhibition on the Young Artist paintings from the collection of Datuk Lim Chong Kit.
Two early examples of the Young Artist School are shown here. The painting by I Wayan Pugur (b. 1945), was executed when he was 13 years old and was exhibited at the San Francisco Museum of Modern Art in 1964, as part of a traveling exhibition in the United States in 1964-1965. This early drawing, executed on paper, exhibits the use of bright colors and a balanced composition. The drawing space is divided into three solid-color areas: dark blue, bright yellow and magenta in between showing the influence of the Wayang painting tradition. The leaves of the large tree with the snakes show the juxtaposition of complementary colors. The faces of the figures were drawn with no details, yet the snakes have eyes and long tongues.
Major artists from the Young Artist School are I Wayan Pugur, I Ketut Soki,[8] I Ngurah KK, I Nyoman Londo, I Ketut Tagen, I Nyoman Cakra, Ni Ketut Gampil, I Nyoman Mundik, I Wayan Regog and many others.
Keliki Miniature Painting
In the 1970s, miniature paintings emerged from Keliki, a small village north of Ubud, led by a local farmer I Ketut Sana.[6] The sizes range from as small as 2 x 3 inch to as large as 10 x 15 in. I Ketut Sana learnt to paint from I Gusti Nyoman Sudara Lempad from Ubud and from I Wayan Rajin from Batuan. He combined the line drawing of Lempad and the details of the Batuan school. Every inch of the space is covered with minute details of Balinese village life and legends drawn in ink and colored with watercolor. The outcome is a marriage between the youthfulness of the Ubud school and the details of the Batuan School. The Keliki artists proud with their patience to paint minute details of every objects meticulously that occupy the drawing space.
Illustrated on the left is a drawing by I Lunga (c. 1995) depicting the story of Rajapala. Rajapala is often referred to as the first Balinese voyeur or “peeping Tom.” According to the story, Rajapala catches sight of a group of celestial nymphs bathing in a pool. He approaches stealthily, and without their knowledge, steals the skirt (kamben) of the prettiest, Sulasih. As her clothing contains magical powers enabling her to fly, the nymph cannot return home. Rajapala offers to marry her. She accepts on the condition that she will return to heaven after the birth of a child. With time, she and Rajapala have a healthy young son. Years pass, and one day, Sulasih accidentally discovers her clothing hidden in the kitchen. Understanding that she has been tricked, she takes leave of her husband and son and goes back to her heavenly abode.
Major artists from the Keliki Artist School are I Ketut Sana, I Wayan Surana, I Lunga, I Wayan Nengah, I Made Ocen, I Made Widi, I Wayan Lanus, Ida Bagus Putra, and many others.
Much of the buzz emanated from three villages: Ubud, where Spies settled, Sanur on the southern coast, and Batuan, a traditional hub of musicians, dancers, carvers and painters. The artists painted mostly on paper, though canvas and board were also used. Often, the works featured repetitive clusters of stylized foliage or waves that conveyed a sense of texture, even perspective. Each village evolved a style of its own. Ubud artists made more use of open spaces and emphasized human figures. Sanur paintings often featured erotic scenes and animals, and work from Batuan was less colorful but tended to be busier.[6]
Ubud Painting
Ubud has been the center of art for centuries, with the surrounding royal houses and temples as the main patrons. Prior to the 1920s, traditional wayang style paintings dominated the subject matters, although Jean Couteau[4] believes that both secular and religious theme paintings have long been co-existing in the form of the expression of the unity of opposites (Rwabhinneda in Balinese belief system).
It was not until the late 1920s that this balance was tilted toward secular art by the arrival of western artists such as Miguel Covarrubias, Adrien-Jean Le Mayeur, Theo Meier, Walter Spies and Rudolf Bonnet. The last two artists were often credited as the agents of change that brought Balinese Art to modernity.[4]
Their influence culminated with the founding of the Pitamaha Art Guild in 1936, with Tjokorda Gde Agung Sukawati as one of its founders. Its mission was to preserve the quality of Balinese Art in the rush of tourism to Bali. The board members of Pitamaha met regularly to select paintings submitted by its members, and to conduct exhibitions throughout Indonesia and abroad. Pitamaha was active until the beginning of the second world war in 1942.The subject matters shifted from religious narration to Balinese daily life. Ubud artists who were members to Pitamaha came from Ubud and its surrounding villages; Pengosekan, Peliatan and Tebasaya. Among them were: Ida Bagus Made Kembeng of the village of Tebesaya and his three sons Ida Bagus Wiri, Ida Bagus Made and Ida Bagus Belawa; Tjokorda Oka of the royal house of Peliatan; Anak Agung Gde Sobrat, Anak Agung Gde Meregeg, I Dewa Putu Bedil, I Dewa Nyoman Leper, Anak Agung Dana of Padangtegal; I Gusti Ketut Kobot, I Gusti Made Baret, I Wayan Gedot, Dewa Putu Mokoh of Pengosekan; I Gusti Deblog and I Gusti Nyoman Lempad.The spirit of Pitamaha is well preserved by the descendents of these artists.Noted Ubudian artists include I Ketut Budiana, I Nyoman Meja, I Nyoman Kayun, A.A. Gde Anom Sukawati, I Gusti Agung Wiranata, and Ida Bagus Sena
Batuan Painting
The Batuan school of painting is practiced by brahman artists in the village of Batuan, which is situated ten kilometers to the South of Ubud. The Batuan artisans are gifted dancers, sculptors and painters. Major Batuan artists from the pre-modernist era include I Dewa Njoman Mura (1877-1950) and I Dewa Putu Kebes (1874-1962), who were known as sanging; traditional Wayang-style painters for temples' ceremonial textiles.
The western influence in Batuan did not reach the intensity it had in Ubud.[3] According to Claire Holt, the Batuan paintings were often sultry, crowded representations of either legendary scenes or themes from daily life, but they portrayed above all fearsome nocturnal moments when grotesque spooks, freakish animal monsters, and witches accosted people. This is particularly true for paintings collected by Margaret Mead and Gregory Bateson during their field studies in Bali in 1936 to 1939.[3] Gradations of black to white ink washes laid over most of the surface, so as to create an atmosphere of darkness and gloom. In the later years, the designs covered the entire space, which often contributed to the crowded nature of these paintings.
Among the early Batuan artists, I Ngendon (1903-1946) was considered the most innovative Batuan School painter.[4] Ngendon was not only a good painter, but a shrewd business man and political activist. He encouraged and mobilized his neighbours and friends to paint for tourist consumption. His ability in portraiture played an important role in teaching his fellow villagers in Batuan more than Spies and Bonnet.[4] The major Batuan artists from this period were: I Patera (1900-1935), I Tombos (b. 1917), Ida Bagus Togog (1913-1989), Ida Bagus Made Jatasura (1917-1946), Ida Bagus Ketut Diding (1914-1990), I Made Djata (1920-2001), and Ida Bagus Widja (1912-1992). The spirit of the Pitamaha period is still strong and continues by contemporary Batuan Artists such as I Made Budi , I Wayan Bendi (b. 1950), I Ketut Murtika (b. 1952), I Made Sujendra (b. 1964), and many others. I Made Budi and I Wayan Bendi paintings capture the influence of tourism in modern life in Bali. They place tourists with their camera, riding a motorbike or surfing in the midst of Balinese traditional village activities. The dichotomy of modern and traditional Balinese life are contrasted starkly in harmony. I Ketut Murtika ( still paints the traditional story of Mahabharata and Ramayana in a painstaking details with subdued colors. His painting of the Wheel of Life viewed from the Balinese beliefs system shows his mastery of local legends and painstaking attention to details. I Made Sujendra, an art teacher at a local art school, depicts old Balinese folklore with a modern eye and a high degree of individuality. Rejecting excessive decoration and relying on the composition itself, I Made Sujendra is successful in depicting tensions in his work and the old Batuan style of 1930s.[7]Sanur Painting
Unlike Ubud and Batuan which are located in the inland of Bali, Sanur is a beach resort. Sanur was the home of the well known Belgian artist Le Mayeur de Mepres, who lived with a Balinese wife (Ni Polok) and had a beach house in Sanur beach.
Tourists in 1930s came to Bali on cruise ships docked in Sanur and made side trips to Ubud and neighboring tourist sites. Its prime location provided the Sanur artist with ready-access to Western tourists who frequented the shop of the Neuhaus Brothers who sold balinese souvenirs and tropical fishes. Neuhaus brothers became the major art dealer of Sanur paintings.
The beach around Sanur, full of outriggers and open horizon, provided local artists with a visual environment different from the the Ubud and Batuan, which are located in the hinterland.The playful atmosphere pervades the Sanur paintings, and are not dictated by the religious iconography[5]. It is lighter and airy than those of Batuan and Ubud with sea creatures, erotic scenery and wild animals drawn in rhythmic patterns; often in an Escher-like manner.[4] Most early works were black and white ink wash on paper, but at the request of Neuhaus, latter works were adorned with light pastel colors often added by other artists specializing in coloring a black and white drawings. Their name code is often found at the margin.The Sanur school of painting is the most stylized and decorative among all modernBalinese Art. Major artists from Sanur are I Rundu, Ida Bagus Nyoman Rai, I Soekaria, I Poegoeg, I Rudin, and many others. I Rudin, who started to paint in mid 1930s, draws simple balinese dancers in the manner of the drawings of Miguel Covarrubias.
Young Artist Painting
The development of the Young Artist School of painting is attributed to the Dutch artist Arie Smit, a Dutch soldier who served during the 2nd world war and decided to stay in Bali. In the early 1960s, he came across children in the village of Penestanan near Tjampuhan drawing on the sand. He encouraged these children to paint by providing them with paper and paints.[4]
Their paintings are characterized by "child-like" drawings that lacks details and bright colors drawn with oil paint on canvas. By 1970s, it attracted around three hundred peasant painters to produce paintings for tourists. In 1983, the National Gallery of Malaysia held a major exhibition on the Young Artist paintings from the collection of Datuk Lim Chong Kit.Two early examples of the Young Artist School are shown here. The painting by I Wayan Pugur (b. 1945), was executed when he was 13 years old and was exhibited at the San Francisco Museum of Modern Art in 1964, as part of a traveling exhibition in the United States in 1964-1965. This early drawing, executed on paper, exhibits the use of bright colors and a balanced composition. The drawing space is divided into three solid-color areas: dark blue, bright yellow and magenta in between showing the influence of the Wayang painting tradition. The leaves of the large tree with the snakes show the juxtaposition of complementary colors. The faces of the figures were drawn with no details, yet the snakes have eyes and long tongues.
Major artists from the Young Artist School are I Wayan Pugur, I Ketut Soki,[8] I Ngurah KK, I Nyoman Londo, I Ketut Tagen, I Nyoman Cakra, Ni Ketut Gampil, I Nyoman Mundik, I Wayan Regog and many others.
Keliki Miniature Painting
In the 1970s, miniature paintings emerged from Keliki, a small village north of Ubud, led by a local farmer I Ketut Sana.[6] The sizes range from as small as 2 x 3 inch to as large as 10 x 15 in. I Ketut Sana learnt to paint from I Gusti Nyoman Sudara Lempad from Ubud and from I Wayan Rajin from Batuan. He combined the line drawing of Lempad and the details of the Batuan school. Every inch of the space is covered with minute details of Balinese village life and legends drawn in ink and colored with watercolor. The outcome is a marriage between the youthfulness of the Ubud school and the details of the Batuan School. The Keliki artists proud with their patience to paint minute details of every objects meticulously that occupy the drawing space.Illustrated on the left is a drawing by I Lunga (c. 1995) depicting the story of Rajapala. Rajapala is often referred to as the first Balinese voyeur or “peeping Tom.” According to the story, Rajapala catches sight of a group of celestial nymphs bathing in a pool. He approaches stealthily, and without their knowledge, steals the skirt (kamben) of the prettiest, Sulasih. As her clothing contains magical powers enabling her to fly, the nymph cannot return home. Rajapala offers to marry her. She accepts on the condition that she will return to heaven after the birth of a child. With time, she and Rajapala have a healthy young son. Years pass, and one day, Sulasih accidentally discovers her clothing hidden in the kitchen. Understanding that she has been tricked, she takes leave of her husband and son and goes back to her heavenly abode.
Major artists from the Keliki Artist School are I Ketut Sana, I Wayan Surana, I Lunga, I Wayan Nengah, I Made Ocen, I Made Widi, I Wayan Lanus, Ida Bagus Putra, and many others.
goes to bali god island
Balinese art is art of Hindu-Javanese origin that grew from the work of artisans of the Majapahit Kingdom, with their expansion to Bali in the late 13th century. Since then, Ubud and its neighboring villages have been the center of Balinese art. Ubud and Batuan are known for their paintings, Mas for their woodcarvings, Celuk for gold and silver smiths, and Batubulan for their stone carvings. Covarrubias[1] describes Balinese art as, "... a highly developed, although informal Baroque folk art that combines the peasant liveliness with the refinement of classicism of Hinduistic Java, but free of the conservative prejudice and with a new vitality fired by the exuberance of the demonic spirit of the tropical primitive." Eiseman correctly pointed out that Balinese art is actually carved, painted, woven, and prepared into objects intended for everyday use rather than as object d'art.[2]
Contents
Recent History
Prior to 1920s, Balinese traditional paintings were restricted to what is now known as the Kamasan or Wayang style. It is a visual narrative of Hindu-Javanese epics: the Ramayana and Mahabharata. These two-dimensional drawings are traditionally drawn on cloth or bark paper (Ulantaga paper) with natural dyes. The coloring is limited to available natural dyes: red, ochre, black, etc. In addition, the rendering of the figures and ornamentations must follow strictly prescribed rules, since they are mostly produced for religious articles and temple hangings. These paintings are produced collaboratively, and therefore mostly anonymously.
In the 1920s, with the arrival of many western artists, Bali became an artist enclave (as Tahiti was for Paul Gauguin) for avant-garde artists such as Walter Spies (German), Rudolf Bonnet (Dutch), Adrien-Jean Le Mayeur (Belgian), Arie Smit (Dutch) and Donald Friend (Australian) in more recent years.
On his first visit to Bali in 1930, the Mexican artist Miguel Covarrubias noted that local paintings served primarily religious or ceremonial functions. They were used as decorative cloths to be hung in temples and important houses, or as calendars to determine children's horoscopes. Yet within a few years, he found the art form had undergone a "liberating revolution." Where they had once been severely restricted by subject (mainly episodes from Hindu mythology) and style, Balinese artists began to produce scenes from rural life. These painters had developed increasing individuality.[1]
This groundbreaking period of creativity reached a peak in the late 1930s. A stream of famous visitors, including Charlie Chaplin and the anthropologists Gregory Bateson and Margaret Mead, encouraged the talented locals to create highly original works. During their stay in Bali in mid 1930s, Bateson and Mead collected over 2000 paintings, predominantly from the village of Batuan.[3] Among western artists, Spies and Bonnet are often credited for the modernization of traditional Balinese paintings. They provided painting media and introduced western painting concepts, such as western perspectives and techniques concerning picture and color composition and human anatomy.[4] More importantly, they acted as agents of change by encouraging individual freedom of expression, and promoted departures from the confining traditional Balinese painting traditions. The result was an explosion of individual expression that lead to the birth of the modern traditional Balinese painting. The Ubud painters particularly embraced it with courage and enthusiasm. This modernization took the forms of: (1) the shifting of the choice of subject matter from the narration of religious epics to the depiction of daily Bali life and drama; (2) the change of the patron of these artists from the religious temples and royal houses to western tourists/collectors; (3) shifting the picture composition from multiple to single focus. The latter is most evident in the works of Ubud artists.[5] Despite the adoption of modern western painting traditions by many Balinese and Indonesian painters, the modern traditional Balinese painting tradition is still thriving and continues by descendants/students of the artists of the pre-war modernist era (1928-1942). The schools of modern traditional Balinese painting include: Ubud, Batuan, Sanur, Young Artist and Keliki schools of painting.[5]
Balinese art is art of Hindu-Javanese origin that grew from the work of artisans of the Majapahit Kingdom, with their expansion to Bali in the late 13th century. Since then, Ubud and its neighboring villages have been the center of Balinese art. Ubud and Batuan are known for their paintings, Mas for their woodcarvings, Celuk for gold and silver smiths, and Batubulan for their stone carvings. Covarrubias[1] describes Balinese art as, "... a highly developed, although informal Baroque folk art that combines the peasant liveliness with the refinement of classicism of Hinduistic Java, but free of the conservative prejudice and with a new vitality fired by the exuberance of the demonic spirit of the tropical primitive." Eiseman correctly pointed out that Balinese art is actually carved, painted, woven, and prepared into objects intended for everyday use rather than as object d'art.[2]
Contents
Recent History
Prior to 1920s, Balinese traditional paintings were restricted to what is now known as the Kamasan or Wayang style. It is a visual narrative of Hindu-Javanese epics: the Ramayana and Mahabharata. These two-dimensional drawings are traditionally drawn on cloth or bark paper (Ulantaga paper) with natural dyes. The coloring is limited to available natural dyes: red, ochre, black, etc. In addition, the rendering of the figures and ornamentations must follow strictly prescribed rules, since they are mostly produced for religious articles and temple hangings. These paintings are produced collaboratively, and therefore mostly anonymously.
In the 1920s, with the arrival of many western artists, Bali became an artist enclave (as Tahiti was for Paul Gauguin) for avant-garde artists such as Walter Spies (German), Rudolf Bonnet (Dutch), Adrien-Jean Le Mayeur (Belgian), Arie Smit (Dutch) and Donald Friend (Australian) in more recent years.
On his first visit to Bali in 1930, the Mexican artist Miguel Covarrubias noted that local paintings served primarily religious or ceremonial functions. They were used as decorative cloths to be hung in temples and important houses, or as calendars to determine children's horoscopes. Yet within a few years, he found the art form had undergone a "liberating revolution." Where they had once been severely restricted by subject (mainly episodes from Hindu mythology) and style, Balinese artists began to produce scenes from rural life. These painters had developed increasing individuality.[1]
This groundbreaking period of creativity reached a peak in the late 1930s. A stream of famous visitors, including Charlie Chaplin and the anthropologists Gregory Bateson and Margaret Mead, encouraged the talented locals to create highly original works. During their stay in Bali in mid 1930s, Bateson and Mead collected over 2000 paintings, predominantly from the village of Batuan.[3] Among western artists, Spies and Bonnet are often credited for the modernization of traditional Balinese paintings. They provided painting media and introduced western painting concepts, such as western perspectives and techniques concerning picture and color composition and human anatomy.[4] More importantly, they acted as agents of change by encouraging individual freedom of expression, and promoted departures from the confining traditional Balinese painting traditions. The result was an explosion of individual expression that lead to the birth of the modern traditional Balinese painting. The Ubud painters particularly embraced it with courage and enthusiasm. This modernization took the forms of: (1) the shifting of the choice of subject matter from the narration of religious epics to the depiction of daily Bali life and drama; (2) the change of the patron of these artists from the religious temples and royal houses to western tourists/collectors; (3) shifting the picture composition from multiple to single focus. The latter is most evident in the works of Ubud artists.[5] Despite the adoption of modern western painting traditions by many Balinese and Indonesian painters, the modern traditional Balinese painting tradition is still thriving and continues by descendants/students of the artists of the pre-war modernist era (1928-1942). The schools of modern traditional Balinese painting include: Ubud, Batuan, Sanur, Young Artist and Keliki schools of painting.[5]
* Kintamani Volcano Tour:
The first stop is often in the village of Batubulan to watch a performance of the Barong and Kris Dance. Afterwards you visit the villages of Celuk (silver jewelry) and Mas (wood carving) to see Balinese artisans at work. Ubud, Bali's cultural center, has grown to a busy town with numerous Balinese art galleries and shops. A scenic drive over small roads overlooking beautiful rice terraces brings you to the mountain village of Kintamani (about 5,000 feet above the sea) which offers spectacular views of Lake Batur and the volcano. You can cross the crater lake below the still active Mount Batur and visit the "Bali Aga" village of Trunyan. Return through traditional villages with stops in Tampaksiring to visit the temple of Tirta Empul, and to visit the Elephant Cave "Goa Gajah", a hermitage from the 11th. century used by both Buddhists and Hindus.
* The "Mother Temple" and East Bali Tour:
Drive to Besakih through various villages visiting on the way a weaving factory, see the famous painted ceiling at the old "Palace of Justice" in Klungkung, and visit the school of painting in Kamasan. The "Mother Temple" in Besakih is Bali's most holy and Indonesia's biggest Hindu temple. It was build in the 11th. Century in an altitude of 1,000 meters (3,000 feet) on the slopes of Mount Agung. You pass picturesque rice terraces on the way to the walled "Bali Aga" village of Tenganan, and continue to Candi Dasa on the East coast. On the way back it's recommended to stop at the famous Bat Cave "Goa Lawah" with thousands of bats hanging from the walls.
* Bedugul Tour:
After a stop in Sangeh to visit its holy forest inhabited by wild monkeys, drive up into the mountains to Lake Bratan (1,200 meters above sea level) and the picturesque water temple Ulun Danu. Visit the busy flower, fruit and spice market in Candikuning where most of Bali's vegetables come from. Drive back through small country roads, villages and rice fields, with a stop in an artisan village specializing in gold threaded textiles (Ikat) worn during important ceremonies.
* North Bali Tour:
Drive the scenic road via Pupuan through the mountains to Bali's North coast. You'll enjoy beautiful views of picturesque rice terraces, and large plantations growing vanilla, chocolate, coffee, cloves, and even wine grapes. Near the village of Banjar is a popular hot spring where you can take a bath in the natural pond. After a lunch on the black beach in Lovina you pass the old capital of Singaraja on the way to Git Git, famous for its multi-tier water fall. Return over back roads to see the unspoiled Bali. (This tour can be combined with the visit to Bedugul.)
* Monkey Forest & Tanah Lot Tour:
Visit the royal Taman Ayun temple in Mengwi (built in 1624), the holy monkey forest near Sangeh, and famous Tanah Lot. This picturesque Balinese temple was built in the 16th. Century on a huge rock 100 yards off Bali's West coast and is surrounded by the sea during high tides. Spectacular sight, however, spoiled by thousands of tourists visiting every day during sunset. To avoid these, enjoy the view from the lobby of the nearby Le Meridien Nirvana Resort.
* Handicraft Villages & Ubud Tour:
Visit the artisan villages of Batubulan (stone carving), Celuk (silver & gold jewelry), Mas (wood carving), and Pengosekan (painting). Stop at the "Bali Art Market" in Sukawati to bargain for all kinds of handicrafts and textiles.
Already in the 1930s Ubud had been made famous around the world as Bali's cultural center by the German intellectual Walter Spies, the Dutch painter Rudolf Bonnet and other foreign artists who'd made it their home.
Today Ubud is a fast growing town with numerous art galleries and shops offering paintings, wood carvings, textiles, and all kinds of souvenirs. Don't miss the MUSEUM PURI LUKISAN in the center of Ubud, the NEKA MUSEUM in Campuhan, the NEKA GALLERY in Ubud, the AGUNG RAI GALLERY in Peliatan, and the AGUNG RAI MUSEUM in Pengosekan to see the difference between creative art and more commercial products. Problem is that when you see their "Permanent Collections" at many "Galleries" you've seen real art, and when you return to their show rooms you don't like any of the very commercial products any more.
The SENIWATI GALLERY - ART BY WOMEN, founded in 1991 by Mary Northmore (the very personable wife of famous painter Abdul Azis) to help Balinese women to be accepted as artists, is a place you should not miss whatever you do. The main purpose of this Bali art gallery is to expose the long understated brilliance of independent women artists resident in Bali, and to motivate, train, and encourage young Balinese girls with obvious creative gifts. Visit also the BLUE MOON STUDIO and GALLERY, founded in 1994 with an emphasis on exhibiting contemporary artists.
The LOTUS CAFE is perhaps the most popular meeting point in town and has become kind of an institution, and MURNI'S as well as the BRIDGE CAFE offer tasty snacks and full meals in very pleasant surroundings and at reasonable prices. For other interesting restaurants please visit Restaurants in Ubud. The various Balinese dance and Wayang Kulit performances (see below) in Ubud and in nearby villages are worth spending the early evening there.
For more suggestions what to see and do during your stay on the island of Bali, please visit also the following pages:
* The Most Popular Bali Tours
* Balinese Dances, Dramas
* Bali Museums & Art Exhibitions
* Popular Bali Activities
* Shopping in Bali
* Bali After Dark
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